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Monday, April 14, 2008. Labels: film frame analysis. Monday, March 31, 2008. Thursday, March 27, 2008. FINAL (Monolake vs Pink Floyd). Challenge architectural conventions of representation. Interpret new design processes of generating space, body and form. Generate surface and space mapping body contour lines in time and motion. Video A and B show the same sequence, the soundtrack of video A suits more the animation in rhythm. And "electronic spirit". I added video B just for the pleasure.

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SANTOS|ARCH670|UMD | santos670umd.blogspot.com Reviews
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Monday, April 14, 2008. Labels: film frame analysis. Monday, March 31, 2008. Thursday, March 27, 2008. FINAL (Monolake vs Pink Floyd). Challenge architectural conventions of representation. Interpret new design processes of generating space, body and form. Generate surface and space mapping body contour lines in time and motion. Video A and B show the same sequence, the soundtrack of video A suits more the animation in rhythm. And electronic spirit. I added video B just for the pleasure.
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SANTOS|ARCH670|UMD | santos670umd.blogspot.com Reviews

https://santos670umd.blogspot.com

Monday, April 14, 2008. Labels: film frame analysis. Monday, March 31, 2008. Thursday, March 27, 2008. FINAL (Monolake vs Pink Floyd). Challenge architectural conventions of representation. Interpret new design processes of generating space, body and form. Generate surface and space mapping body contour lines in time and motion. Video A and B show the same sequence, the soundtrack of video A suits more the animation in rhythm. And "electronic spirit". I added video B just for the pleasure.

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1

SANTOS|ARCH670|UMD: Touch of evil

http://www.santos670umd.blogspot.com/2008/04/possible-videos.html

Monday, April 14, 2008. Labels: film frame analysis. Subscribe to: Post Comments (Atom). View my complete profile.

2

SANTOS|ARCH670|UMD: VIideo-désastre

http://www.santos670umd.blogspot.com/2008/02/viideo-dsastre.html

Sunday, February 24, 2008. This animation is my first attempt, it was unsuccessful it lacks intention and its an example of what Spiller criticizes about animations. Very short, not very informative. What is it that you are trying to show? What are you trying to frame? February 24, 2008 at 6:37 PM. Subscribe to: Post Comments (Atom). Yuval Zohar Wushu performance. What first came to my mind when reading Gregg Lynn. From conceptualization to materialization. View my complete profile.

3

SANTOS|ARCH670|UMD: Architectural Representation 2

http://www.santos670umd.blogspot.com/2008/02/architectural-representation-2.html

Tuesday, February 26, 2008. February 29, 2008 at 6:07 AM. I also love the idea of "learning through inertia." Looks like we're already gaining some speed in this class. March 1, 2008 at 3:19 PM. Subscribe to: Post Comments (Atom). Yuval Zohar Wushu performance. What first came to my mind when reading Gregg Lynn. From conceptualization to materialization. View my complete profile.

4

SANTOS|ARCH670|UMD: February 2008

http://www.santos670umd.blogspot.com/2008_02_01_archive.html

Tuesday, February 26, 2008. Sunday, February 24, 2008. This animation is my first attempt, it was unsuccessful it lacks intention and its an example of what Spiller criticizes about animations. Tuesday, February 19, 2008. Tuesday, February 12, 2008. I lofted body contour lines extracted from four frames of wu. BODY POSITION IN TIME. LATERAL AND FRONTAL VIEW. Monday, February 11, 2008. Yuval Zohar Wushu performance. Monday, February 4, 2008. From conceptualization to materialization.

5

SANTOS|ARCH670|UMD

http://www.santos670umd.blogspot.com/2008/03/blog-post.html

Monday, March 31, 2008. Subscribe to: Post Comments (Atom). FINAL (Monolake vs Pink Floyd). View my complete profile.

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SCHOOLEY|ARCH670|UMD: January 2008

http://schooley670umd.blogspot.com/2008_01_01_archive.html

Tuesday, January 29, 2008. This is me posting the first blogged message. Subscribe to: Posts (Atom). First year architectural grad student at the University of Maryland in College Park. Path A, which means I am on the right track.or just means I completed my undergraduate degree in architecture as well from UMD. View my complete profile.

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SCHOOLEY|ARCH670|UMD: Final Video For Project 1

http://schooley670umd.blogspot.com/2008/04/final-video-for-project-1.html

Monday, April 14, 2008. Final Video For Project 1. Subscribe to: Post Comments (Atom). Clip Analysis Diagram: Attempt 1. Video Clip for Project 2: From the Motion Picture,. Surface Consciousness: Between Surface and Substa. Final Video For Project 1. Project 1 Final Image. Architectural Representation and the Perspective H. View my complete profile.

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RANAWEERA|ARCH670|UMD: Frame vs. Object

http://ranaweera670umd.blogspot.com/2008/02/frame-vs-object.html

Blog created for ARCH670-University of Maryland School of Architecture Planning and Preservation. Author Jay Ranaweera. Continued as a recording of Architectural Ideas and observations. Tuesday, February 26, 2008. Frame vs. Object. February 28, 2008 at 11:20 AM. Subscribe to: Post Comments (Atom). Frame vs. Object. Contemporary Techniques in Architecture. Nurbz modeling in FormZ. Two things that should have been posted in the be. So I decided to take a different approach to creat.

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MAO|ARCH670|UMD: Surface Generation: Materiality Tests 05

http://mao670umd.blogspot.com/2008/05/surface-generation-materiality-tests-05.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Thursday, May 15, 2008. Surface Generation: Materiality Tests 05. MATERIAL: Prismatic (Translucent) Ceiling Panel. Above: Textured Surface Facing Down. Above: Textured Surface Facing Up. Subscribe to: Post Comments (Atom). MARCH, SAPP, UMD. View my complete profile. ARCH670, The Course. MAA, The Professor. SAPP, The School.

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KALIL|ARCH670|UMD: My Video of Choice

http://kalil670umd.blogspot.com/2008/04/my-video-of-choice.html

Saturday, April 12, 2008. My Video of Choice. So to begin on project 2, here I chose a portion of the Richard Williams' animated film,. The Thief and the Cobbler. It's almost as interesting as the film itself. In this scene the thief has stolen Princess Yum Yum's golden backscratcher and shoe. Tac, the cobbler, chases the thief because he has to finish his work on the shoe and feels obligated to save the belongings of the beautiful princess he's become infatuated with. April 12, 2008 at 7:35 PM.

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KALIL|ARCH670|UMD: Autism and Film

http://kalil670umd.blogspot.com/2008/04/autism-and-film.html

Tuesday, April 15, 2008. I heard this report on PRI and found this video by MSNBC. On an experiment using special cameras to track and compare the focal point of persons with autism and persons without during a scene from "Who's Afraid of Virginia Wolf". I think this can be interesting when considering the interactions between viewer/cinematographer/storyline which we are studying in project 2. Here is the PRI Report. New York Times article. Subscribe to: Post Comments (Atom). Rest of Funky Bunch.

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MAO|ARCH670|UMD: Fragmenting the Defragmented

http://mao670umd.blogspot.com/2008/05/fragmenting-defragmented.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Tuesday, May 6, 2008. Here, the metaphorically linked events have been fragmented and reconnected to question the temporal relationship between the two events that were otherwise shuffled together. Isolating the "Dog" Sequence. Isolating the "Mob" Sequence. Subscribe to: Post Comments (Atom). MARCH, SAPP, UMD. MAA, The Professor.

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WILSON|ARCH670|UMD: 1c_sectioning

http://wilson670umdarch.blogspot.com/2008/03/1csectioning.html

Sunday, March 2, 2008. This comment has been removed by the author. March 2, 2008 at 5:34 PM. March 2, 2008 at 5:39 PM. If your kit of parts incorporate elements of 4th D, then perhaps you can do the same for your sectioning exercise? Perhaps it is not the physical elements in the model that are sectioned, but something else that is used in the animating of the movie. March 2, 2008 at 7:09 PM. Subscribe to: Post Comments (Atom). Regulated lines Ben Callam. 1b combining the kit of parts.

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SCHOOLEY|ARCH670|UMD: Forms of Expression: The Proto-Functional Potential of Diagrams in Arctitectural Design _Greg Lynn

http://schooley670umd.blogspot.com/2008/03/forms-of-expression-proto-functional.html

Monday, March 3, 2008. Forms of Expression: The Proto-Functional Potential of Diagrams in Arctitectural Design Greg Lynn. Most important points and reflections…. Diagrams as not just a drawing or vision of an initial idea or driving concept, but as a conceptual technique that should come before any particular technology. Digital potential of virtual diagrams has brought to life new methods for getting ideas across in a potentially more powerful and complete fashion. Who knew that a seemingly simple proce...

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SANTOS|ARCH670|UMD

Monday, April 14, 2008. Labels: film frame analysis. Monday, March 31, 2008. Thursday, March 27, 2008. FINAL (Monolake vs Pink Floyd). Challenge architectural conventions of representation. Interpret new design processes of generating space, body and form. Generate surface and space mapping body contour lines in time and motion. Video A and B show the same sequence, the soundtrack of video A suits more the animation in rhythm. And "electronic spirit". I added video B just for the pleasure.

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