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WAHYU NUGROHO - PLURAL PAINTING

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WAHYU NUGROHO - PLURAL PAINTING | wahyustudio.blogspot.com Reviews

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Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Kamis, 10 September 2020. Find more photos like this on. Diposkan oleh Wahyu Nugroho. Pameran : Perjalanan Berkesenian ke 25 th. Karya terbaru akan saya upload jika sudah dipamerkan. Periode 2009 - 2011. Periode 2007 - .

<META> KEYWORDS

1 world art foundation

2 1 komentar

3 posting lama

4 beranda

5 langganan entri atom

6 pandangan seni

7 plural painting

8 testimonial

9 aktifitas pameran

10 walik grembyang

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world art foundation,1 komentar,posting lama,beranda,langganan entri atom,pandangan seni,plural painting,testimonial,aktifitas pameran,walik grembyang,galeri,a figuratif,b non figuratif,c skets,d digital drawing,painting,karya digital painting,alamat

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WAHYU NUGROHO - PLURAL PAINTING | wahyustudio.blogspot.com Reviews

https://wahyustudio.blogspot.com

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Kamis, 10 September 2020. Find more photos like this on. Diposkan oleh Wahyu Nugroho. Pameran : Perjalanan Berkesenian ke 25 th. Karya terbaru akan saya upload jika sudah dipamerkan. Periode 2009 - 2011. Periode 2007 - .

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WAHYU NUGROHO - PLURAL PAINTING

http://wahyustudio.blogspot.com/2011/03/bagaimanakah-suatu-karya-disebut_03.html

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Kamis, 03 Maret 2011. BAGAIMANAKAH SUATU KARYA DISEBUT BERKUALITAS? Juga begitu minimnya perhatian sebagian besar masyarakat, apalagi pemerintah, yg bisa jadi malah tidak terpikirkan sama sekali terhadap dunia kesenian.

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WAHYU NUGROHO - PLURAL PAINTING

http://wahyustudio.blogspot.com/2009/08/periode-wanita.html

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Sabtu, 01 Agustus 2009. KARYA PERIODE KHUSUS (WANITA). Diposkan oleh Wahyu Nugroho. 1 Agustus 2009 22.58. I like it very much. women @ your hand, fantastic. 1 Agustus 2009 23.13. 1 Agustus 2009 23.26. Periode 2009 - 2011.

3

WAHYU NUGROHO - PLURAL PAINTING

http://wahyustudio.blogspot.com/2009/08/eksplorasi-simbol-3-klik-gambar.html

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Senin, 03 Agustus 2009. EKSPLORASI SIMBOL 3 :. Diposkan oleh Wahyu Nugroho. Label: jelajah eksplorasi rupa. Langganan: Poskan Komentar (Atom). Pameran : Perjalanan Berkesenian ke 25 th. Periode 2009 - 2011. Periode 2007 - .

4

WAHYU NUGROHO - PLURAL PAINTING

http://wahyustudio.blogspot.com/2011/03/bagaimanakah-suatu-karya-disebut_7646.html

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Rabu, 02 Maret 2011. BAGAIMANAKAH SUATU KARYA DISEBUT BERKUALITAS? Tehnik afandi ya afandi.kalao ada yg memakai tehnik afandi itu memgingatkan akan afandi kerena terlalu sefesifik. tehnik aku rasa sangat indufidual ...Akhir...

5

WAHYU NUGROHO - PLURAL PAINTING

http://wahyustudio.blogspot.com/2011/03/bagaimanakah-suatu-karya-disebut_3678.html

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Rabu, 02 Maret 2011. BAGAIMANAKAH SUATU KARYA DISEBUT BERKUALITAS? Jumat pukul 20:20 · SukaTidak Suka. Jumat pukul 20:24 · SukaTidak Suka. Apa sih yang tidak kita pelajari dari barat atau timur? 8206;dan Cina berhasil mewuj...

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indonesia-painters.blogspot.com

Setiabudi's Arthouse: Dullah, the Presidential Palace Painter Who Spent His Time in Plain Life

http://indonesia-painters.blogspot.com/2010/11/setiabudis-arthouse-koempoel-almost.html

Selasa, 16 November 2010. Dullah, the Presidential Palace Painter Who Spent His Time in Plain Life. Dullah (1919 - 1996). He was therefore appointed by Soekarno to take care of all of the President’s art possessions and at the same time as curator of the state painting collections. He often accompanied the president on his trips domestically as well as abroad. In 1996 Dullah peacefully passed away in this place, bequeathing to the next art loving generation to come, his own "one-man-built" museum which n...

indonesia-painters.blogspot.com

Setiabudi's Arthouse: ART ARTICLES SERIES

http://indonesia-painters.blogspot.com/p/art-articles-series.html

Http:/ reviews.ebay.co.uk/HOW-TO-IDENTIFY-FAKE-OIL-PAINTINGS-amp-STOP-WASTING-MONEY W0QQugidZ10000000002178841. HOW TO IDENTIFY FAKE OIL PAINTINGS and STOP WASTING MONEY. OUR OWN COMMENTARY ON KEATING - THE GREAT ENGLISH FAKER, MODERN AND TRADITIONAL GILDING TECNIQUES AND A BARGAIN BUNDLE THAT INCLUDES ALL OF OUR TITLES. Oil paintings, water colours, acrylics, drawings both ancient and modern are all capable of being copied. This picture hangs in my own lounge and is just under two meters long and in the...

indonesia-painters.blogspot.com

Setiabudi's Arthouse: November 2010

http://indonesia-painters.blogspot.com/2010_11_01_archive.html

Kamis, 18 November 2010. Rusli, the Avant-garde Painter. Rusli was born in 1916 at Medan, North Sumatra from the family of farmer of tobacco plantation at Padangbulan, North Sumatra. He spent his childhood at his home village, finished his elementary school (HIS) at there and continued his study at Jogjakarta. When choosing his further study, he initially preferred to learn medical science but he finally turned it out to the attraction of ideas and thinking from Rabindranath. Dept of Art, Shantiniketan.

indonesia-painters.blogspot.com

Setiabudi's Arthouse: Tempestuous Graphic Compositions on Djirna's Figures

http://indonesia-painters.blogspot.com/2010/12/tempestuous-graphic-compositions-on.html

Selasa, 21 Desember 2010. Tempestuous Graphic Compositions on Djirna's Figures. I Made Djirna (1957). Source: Modern Indonesia Art from Raden Saleh to the Present Day. 70 X 50 cm. Dated and signed bottom right: “Djirna 2000”. COA or provenance shall be provided. The present owner acquired the painting from a prominent auction house. Good and well preserved, it’s ready to hang in good shape. Kirimkan Ini lewat Email. Langganan: Poskan Komentar (Atom). The right place to shop Indonesian Paintings. Soedjono...

indonesia-painters.blogspot.com

Setiabudi's Arthouse: (Abdullah Family Series) Abdullah Suriosubroto - A Pioneer of Natural Beauty

http://indonesia-painters.blogspot.com/2010/12/abdullah-family-series-abdullah.html

Minggu, 19 Desember 2010. Abdullah Family Series) Abdullah Suriosubroto - A Pioneer of Natural Beauty. ABDULLAH SURIOSUBROTO (1878 - 1941). Century after Raden Saleh who had just started establishing the Indonesian painter reputation in 19. Century. His favorite objects were beauty landscapes from various places and angles. Subject/ Title : Bamboo Woods. Dimension : 74 X 125 cm. Media : oil on canvas. Signature and remarks : undated, signed lower left: “Abdullah”. Of painting : authentic with no. Please ...

indonesia-painters.blogspot.com

Setiabudi's Arthouse: Koempoel, the Almost Forgotten Legend

http://indonesia-painters.blogspot.com/2010/11/koempoel-almost-forgotten-legend.html

Selasa, 16 November 2010. Koempoel, the Almost Forgotten Legend. After independence proclaimed in 1945, the Dutch government launched a military operation during 1945-1947 motivating Koempoel to also participate in defense struggle. He actively participated in producing and distributing the heroic pamphlets and posters throughout Surabaya and Malang to flame up people’s struggling spirit. Title : Kalimas Harbor. Type : oil on canvass. Dimension : 63 X 113 cm. Condition : framed, very good and well preser...

indonesia-painters.blogspot.com

Setiabudi's Arthouse: The Return of Maestro; Maria Tjui

http://indonesia-painters.blogspot.com/2010/11/return-of-maestro-maria-tjui.html

Selasa, 16 November 2010. The Return of Maestro; Maria Tjui. Maria Tjui was born on 14. Of May 1934 at Pariaman, West Sumatera. Initially she learned painting from the old Master S. Sudjojono at Seniman Indonesia Muda, Yogyakarta during 1955-1958. She then furthered her study in sculpturing at Akademi Seni Rupa Indonesia (ASRI – Indonesia Fine Art Academy), Yogya during 1961-1963. In 1991, Maria again launched her paintings in joined exhibition with International painters representing 67 countries around...

indonesia-painters.blogspot.com

Setiabudi's Arthouse: Maturity in 50s; a Powerful Abstract of Hanafi

http://indonesia-painters.blogspot.com/2010/11/maturity-in-50s-powerful-abstract-of.html

Rabu, 17 November 2010. Maturity in 50s; a Powerful Abstract of Hanafi. 8216;SAAT USIA LIMA PULUH’ – HANAFI. By Richard Horstman (Writer). Http:/ www.studiohanafi.com/studiohanafi/. At its very core abstract art serves to allow that which is unintended or unexpected by the practitioner to become manifest. In its absence of design elements, construct forms or recognizable images, it is the creations ‘designlessness’ that becomes the all apparent visual feature. In celebration of his 50. July until the 24.

indonesia-painters.blogspot.com

Setiabudi's Arthouse: Pupuk Daru Purnomo, Classical Style in Contemporary Painter

http://indonesia-painters.blogspot.com/2011/02/pupuk-daru-purnomo-classical-style-in.html

Minggu, 06 Februari 2011. Pupuk Daru Purnomo, Classical Style in Contemporary Painter. Pupuk Daru Purnomo (1964). Pupuk Daru Purnomo or widely known as Pupuk DP was born in Yogyakarta, June 16, 1964. He graduated from the Faculty of Arts and Design, the Indonesian Institute of Arts (ISI), Yogyakarta. During his study in college, his artwork had gain a prize as the Best Painting in the college 7. Painter : Pupuk Daru Purnomo. Subject/ Title : Wajah-wajah. Dimension : 145 X 115 cm. Media : oil on canvas.

indonesia-painters.blogspot.com

Setiabudi's Arthouse: Rusli, the Avant-garde Painter

http://indonesia-painters.blogspot.com/2010/11/artist-details-rusli-1916-rusli-was.html

Kamis, 18 November 2010. Rusli, the Avant-garde Painter. Rusli was born in 1916 at Medan, North Sumatra from the family of farmer of tobacco plantation at Padangbulan, North Sumatra. He spent his childhood at his home village, finished his elementary school (HIS) at there and continued his study at Jogjakarta. When choosing his further study, he initially preferred to learn medical science but he finally turned it out to the attraction of ideas and thinking from Rabindranath. Dept of Art, Shantiniketan.

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WAHYU NUGROHO - PLURAL PAINTING

Berkarya seni bagi saya adalah sebuah meditasi. Ia merupakan proses pengembaraan intuisi untuk menangkap dan menterjemahkan gerak hidup dari naluri kehidupan ke dalam bahasa visual. Bahasa visual yang saya gunakan berpijak pada GAYA PLURAL: Multi-etnis, multi-teknik, atau multi-style. Kamis, 10 September 2020. Find more photos like this on. Diposkan oleh Wahyu Nugroho. Pameran : Perjalanan Berkesenian ke 25 th. Karya terbaru akan saya upload jika sudah dipamerkan. Periode 2009 - 2011. Periode 2007 - .

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