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The Tuning Tarpit

Tuesday, October 27, 2015. Music for Conworlders: Polyphony. Polyphony is the texture in which you have melodies simultaneously. The interest is created by their rhythmic and melodic independence. Baroque polyphony developed out of renaissance polyphony, which developed out of medieval polyphony. Each of these nodes in the family tree of western counterpoint has branches that did not contribute much to the descendants. The formalizations that exist may be a bit too strict. Or even good things to practice.

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The Tuning Tarpit | tuningtarpit.blogspot.com Reviews

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Tuesday, October 27, 2015. Music for Conworlders: Polyphony. Polyphony is the texture in which you have melodies simultaneously. The interest is created by their rhythmic and melodic independence. Baroque polyphony developed out of renaissance polyphony, which developed out of medieval polyphony. Each of these nodes in the family tree of western counterpoint has branches that did not contribute much to the descendants. The formalizations that exist may be a bit too strict. Or even good things to practice.

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The Tuning Tarpit | tuningtarpit.blogspot.com Reviews

https://tuningtarpit.blogspot.com

Tuesday, October 27, 2015. Music for Conworlders: Polyphony. Polyphony is the texture in which you have melodies simultaneously. The interest is created by their rhythmic and melodic independence. Baroque polyphony developed out of renaissance polyphony, which developed out of medieval polyphony. Each of these nodes in the family tree of western counterpoint has branches that did not contribute much to the descendants. The formalizations that exist may be a bit too strict. Or even good things to practice.

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tuningtarpit.blogspot.com

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The Tuning Tarpit: October 2015

http://tuningtarpit.blogspot.com/2015_10_01_archive.html

Tuesday, October 27, 2015. Music for Conworlders: Polyphony. Polyphony is the texture in which you have melodies simultaneously. The interest is created by their rhythmic and melodic independence. Baroque polyphony developed out of renaissance polyphony, which developed out of medieval polyphony. Each of these nodes in the family tree of western counterpoint has branches that did not contribute much to the descendants. The formalizations that exist may be a bit too strict. Or even good things to practice.

2

The Tuning Tarpit: May 2015

http://tuningtarpit.blogspot.com/2015_05_01_archive.html

Thursday, May 7, 2015. Tuning Theory for Conworlders: On With 11 - Chords. Now, we've previously considered the intervals of 12-tone equal temperament as approximations of a specific set of just intonation intervals, viz. something along the lines of the following:. Just intonation major scale intervals bolded, other intervals of some kind of chromatic just intonation scale intervals inbetween. For the record, 16/15 ≃ 17/16, 8/5 ≃ 25/16, 6/5 ≃ 64/54, 16/9 ≃ 9/5, etc. A really narrow 11/9? The major third...

3

The Tuning Tarpit: May 2014

http://tuningtarpit.blogspot.com/2014_05_01_archive.html

Saturday, May 10, 2014. Another completed microtonal work. So, without further ado, here it is:. A Composition, and a concept. This piece is basically the finished version of the little draft I previously posted; some structure was added, some stuff removed, some stuff adjusted. Basically I am somewhat happy with it, and I think I am going to leave it well enough alone now for a while. 8594; G → D → A. 8594; E → B The bolded tones form the F major chord. F → C. 8594; D → A → E. So basically, if there are...

4

The Tuning Tarpit: Music Theory for Conworlders: Texture

http://tuningtarpit.blogspot.com/2015/03/music-theory-for-conworlders-texture.html

Tuesday, March 24, 2015. Music Theory for Conworlders: Texture. I have this far developed theory that is suitable for harmony and counterpoint, but I have not really talked much about the concepts of harmony and counterpoint - in fact, I've remained quite silent as to why those would be of any interest whatsoever. In many human cultures, the usual texture. Has been one of monophony. Monophonic tune with C as its drone. Same monophonic tune with A as its drone instead of C. As a final comment on drones, t...

5

The Tuning Tarpit: April 2014

http://tuningtarpit.blogspot.com/2014_04_01_archive.html

Sunday, April 6, 2014. The first four days of pomodoro composing I devoted to finding some melodies that could go over a Bohlen-Pierce bassline. For those who don't know, Bohlen-Pierce is a scale that has its "semitones" be roughly the size of 1.46 regular semitones. Where x, y, z ∈ Z. And x , y , z are fairly low will be fairly accurately approximated by Bohlen-Pierce. Now, this is theory I've known for years, and been mucking around with a lot. I have always found composing melodies in Bohlen-Pierc...

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miniatureconlangs.blogspot.com

miniatureconlangs: February 2015

http://miniatureconlangs.blogspot.com/2015_02_01_archive.html

A blog about imaginary typology in imaginary languages. Saturday, February 28, 2015. A friend of mine has a blog on nahuatl stuff. Which might be inspiring for a conlanger to read about. And this reminded me of an article about a no-root verb in some Nahuatl dialect - a verb consisting of two affixes, and nothing else. It's quite an interesting essay. Friday, February 27, 2015. The Former Noun Morphology of Tatediem. In many ways, playing around with a less case-centered language is pretty interesting.

miniatureconlangs.blogspot.com

miniatureconlangs: March 2015

http://miniatureconlangs.blogspot.com/2015_03_01_archive.html

A blog about imaginary typology in imaginary languages. Saturday, March 28, 2015. Detail #148: A Derivation / An Adjective Construction. Let's consider a way of deriving an adjective, something along the lines of a suffix that you put on a noun and you obtain 'like a [noun]', '[noun]-ly' but also 'reputed to be [noun]', and with adjectives '[adjective]-ish' or 'reputed to be [adjective]'. This is not all that odd, really, but let's go on and come up with some constructions using these. I was discussing F...

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The Tuning Tarpit

Tuesday, October 27, 2015. Music for Conworlders: Polyphony. Polyphony is the texture in which you have melodies simultaneously. The interest is created by their rhythmic and melodic independence. Baroque polyphony developed out of renaissance polyphony, which developed out of medieval polyphony. Each of these nodes in the family tree of western counterpoint has branches that did not contribute much to the descendants. The formalizations that exist may be a bit too strict. Or even good things to practice.

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