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The Cinema of Attractions | New York University • Spring 2011 • H72.0106

New York University • Spring 2011 • H72.0106

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The Cinema of Attractions | New York University • Spring 2011 • H72.0106 | thecinemaofattractions.wordpress.com Reviews
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2 syllabus
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The Cinema of Attractions | New York University • Spring 2011 • H72.0106 | thecinemaofattractions.wordpress.com Reviews

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New York University • Spring 2011 • H72.0106

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Greg Zinman | The Cinema of Attractions

https://thecinemaofattractions.wordpress.com/author/gzinman

The Cinema of Attractions. Author Archives: Greg Zinman. May 4, 2011 · 4:05 pm. Class 14: Make Your Own Attractions. Thank you all for a fun and intellectually stimulating semester. I had a blast. Today we took on the following topics:. He ultimately calls for a more politicized “radical gameplay.”. I modeled an approach to unpacking meme-based video via an examination of Veloso’s. Episode 4: “Rosanna” (JD Ryznar, 2005):. I’m Not Here to Make Friends. Dock Ellis and the LSD No-No. Hitler Plans Burning Man.

2

Class 13: The Digital Revolution | The Cinema of Attractions

https://thecinemaofattractions.wordpress.com/2011/04/27/class-13-the-digital-revolution

The Cinema of Attractions. Class 12: The Blockbuster. Class 14: Make Your Own Attractions →. April 27, 2011 · 6:22 pm. Class 13: The Digital Revolution. For today’s class, we interrogated the idea of digital attractions what is the relationship of this new technology to the concept of attractions? How does it (and, does it? Change the way we see and/or understand moving images? How is it used to produce spectacle? If yes, how and why? 8216;s diegesis, and in our everyday world? Manovich also writes about...

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Admin | The Cinema of Attractions

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The Cinema of Attractions. Class 11: Transnational Attractions. Class 12: The Blockbuster. Class 13: The Digital Revolution. Class 14: Make Your Own Attractions. Class 2: Early Cinema and New Media. Class 3: Avant-Garde Attractions. Class 4: Perception and Psychedelia. Class 5: The Musical. Class 6: The Critique of Spectacle. Class 7: Crossing Over, or Selling Out? Class 8: The Music Video. Class 9: Art World Attractions. Introduction: What is the Cinema of Attractions? 500 days of summer.

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Class 14: Make Your Own Attractions | The Cinema of Attractions

https://thecinemaofattractions.wordpress.com/2011/05/04/class-14-make-your-own-attractions

The Cinema of Attractions. Class 13: The Digital Revolution. May 4, 2011 · 4:05 pm. Class 14: Make Your Own Attractions. Thank you all for a fun and intellectually stimulating semester. I had a blast. Today we took on the following topics:. He ultimately calls for a more politicized “radical gameplay.”. I modeled an approach to unpacking meme-based video via an examination of Veloso’s. Episode 4: “Rosanna” (JD Ryznar, 2005):. I’m Not Here to Make Friends. Dock Ellis and the LSD No-No. Fill in your detail...

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The Cinema of Attractions | New York University • Spring 2011 • H72.0106 | Page 2

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The Cinema of Attractions. Newer posts →. April 19, 2011 · 5:49 pm. William Clark, Lucas Verga, Zara Golden. Tagged as Aphex Twins. April 19, 2011 · 5:35 pm. Bill “Ghostbustin’ Ass” Murray: A Man of the People. Http:/ www.gq.com/entertainment/celebrities/201008/bill-murray-dan-fierman-gq-interview. Savva: 1977 SNL-1984 Razor’s Edge. Mike: 1986 Scrooged-1998 Wild Things. Tagged as Bill Murray. April 19, 2011 · 5:25 pm. The Attraction of Cult Films. Julia Dyer, Kate Gustafson, Ivria Dubs. The Twilight movi...

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The Cinema of Attractions | New York University • Spring 2011 • H72.0106

The Cinema of Attractions. May 4, 2011 · 4:05 pm. Class 14: Make Your Own Attractions. Thank you all for a fun and intellectually stimulating semester. I had a blast. Today we took on the following topics:. He ultimately calls for a more politicized “radical gameplay.”. I modeled an approach to unpacking meme-based video via an examination of Veloso’s. A hearty discussion on the appeal and pervasiveness of these densely encoded videos (touched off by Tom McCormack’s recent essay on supercuts). For today&...

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