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Digital Image and Culture – Learning Blog | stephaniedhlearninglog5.wordpress.com Reviews
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Learning Blog
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Broomberg and Chanarin (From old notes) – Digital Image and Culture
https://stephaniedhlearninglog5.wordpress.com/2016/11/14/broomberg-and-chanarin-from-old-notes
Digital Image and Culture. 8212;——-. Assignment 1 – (T)here. Assignment 1 – Feedback. Research – Assignment 1. Assignment 2 – Si tu veux que je t’aime. Assignment 2 – Feedback. Research – Assignment 2. Assignment 2 Assessment Criteria. Research – Assignment 3. 8212;——-. What’s the point of an index? Or, Faking photographs (Tom Gunning). Context as a determinant of photographic meaning, John A. Walker. Vostell Concrete (1969-1973) (Smart Museum of Art). 2 The Past inside the Present. 1 Specters of Marx.
Mette Sandbye – “Performing and deforming the family archive” – Digital Image and Culture
https://stephaniedhlearninglog5.wordpress.com/2016/12/12/mette-sandbye-performing-and-deforming-the-family-archive
Digital Image and Culture. 8212;——-. Assignment 1 – (T)here. Assignment 1 – Feedback. Research – Assignment 1. Assignment 2 – Si tu veux que je t’aime. Assignment 2 – Feedback. Research – Assignment 2. Assignment 2 Assessment Criteria. Research – Assignment 3. 8212;——-. What’s the point of an index? Or, Faking photographs (Tom Gunning). Context as a determinant of photographic meaning, John A. Walker. Vostell Concrete (1969-1973) (Smart Museum of Art). 2 The Past inside the Present. 1 Specters of Marx.
Terry Barret – “Principles for interpreting Photographs” – Digital Image and Culture
https://stephaniedhlearninglog5.wordpress.com/2016/11/15/terry-barret-principles-for-interpreting-photographs
Digital Image and Culture. 8212;——-. Assignment 1 – (T)here. Assignment 1 – Feedback. Research – Assignment 1. Assignment 2 – Si tu veux que je t’aime. Assignment 2 – Feedback. Research – Assignment 2. Assignment 2 Assessment Criteria. Research – Assignment 3. 8212;——-. What’s the point of an index? Or, Faking photographs (Tom Gunning). Context as a determinant of photographic meaning, John A. Walker. Vostell Concrete (1969-1973) (Smart Museum of Art). 2 The Past inside the Present. 1 Specters of Marx.
Jonathan Lethem -The Ecstasy of Influence: A Plagiarism – Digital Image and Culture
https://stephaniedhlearninglog5.wordpress.com/2016/09/27/jonathan-lethem-the-ecstasy-of-influence-a-plagiarism
Digital Image and Culture. 8212;——-. Assignment 1 – (T)here. Assignment 1 – Feedback. Research – Assignment 1. Assignment 2 – Si tu veux que je t’aime. Assignment 2 – Feedback. Research – Assignment 2. Assignment 2 Assessment Criteria. Research – Assignment 3. 8212;——-. What’s the point of an index? Or, Faking photographs (Tom Gunning). Context as a determinant of photographic meaning, John A. Walker. Vostell Concrete (1969-1973) (Smart Museum of Art). 2 The Past inside the Present. 1 Specters of Marx.
Post-Photography: The Artist with a Camera #1 – Digital Image and Culture
https://stephaniedhlearninglog5.wordpress.com/2016/10/06/post-photography-the-artist-with-a-camera-1
Digital Image and Culture. 8212;——-. Assignment 1 – (T)here. Assignment 1 – Feedback. Research – Assignment 1. Assignment 2 – Si tu veux que je t’aime. Assignment 2 – Feedback. Research – Assignment 2. Assignment 2 Assessment Criteria. Research – Assignment 3. 8212;——-. What’s the point of an index? Or, Faking photographs (Tom Gunning). Context as a determinant of photographic meaning, John A. Walker. Vostell Concrete (1969-1973) (Smart Museum of Art). 2 The Past inside the Present. 1 Specters of Marx.
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First edit | John Umney - Documentary
https://umneydoc.wordpress.com/2014/04/20/first-edit
John Umney – Documentary. The Sargasso Sea →. Just wondering whether there is any point in putting this up here – it is how I ‘see’ the narrative that I had in my mind when I made the images, however I cannot believe that even if anyone else sensed a narrative of their own – assuming anyone looked at this image – they would get anything out of this. It’s just too small. Here’s a photo-shopped version – still not much better…. 7 thoughts on “ First edit. April 20, 2014 at 8:00 pm. April 21, 2014 at 5:43 am.
Deutsche Börse Photography Prize 2014 | John Umney - Documentary
https://umneydoc.wordpress.com/2014/06/02/deutsche-borse-photography-prize-2014
John Umney – Documentary. The problem with assessment. Deutsche Börse Photography Prize 2014 part II →. Deutsche Börse Photography Prize 2014. Photograph courtesy The Photographer’s Gallery. I have been aware of Mosse’s work for some time now; it has been featured on WeAreOCA. Before and has caused controversy there and elsewhere for its approach to documentary photography. Utilizing film that was intended to help reconnaissance aircraft find people it renders the land in a range of hues that seem, a...
Little old lady | John Umney - Documentary
https://umneydoc.wordpress.com/2015/07/02/little-old-lady
John Umney – Documentary. Thoughts about the course Documentary. This looks like a camera strap got in the frame, maybe I knew it as the next frame is very similar. She has now noticed me. I remember lifting my camera and making a gesture, I don’t remember if she nodded, but there was something that passed between us. And now she has started to pose. Her scarf is undone to show more of her face and she also made sure her hair didn’t interfere with the shot. 2 thoughts on “ Little old lady. You are commen...
The Sargasso Sea | John Umney - Documentary
https://umneydoc.wordpress.com/2014/04/26/the-sargasso-sea
John Umney – Documentary. Assignment Four, critical essay – update for assessment review →. The Sargasso Sea lies at the western edge of the route from Britain to the Caribbean, it is encompassed by currents on all sides and has no land for its waters to break on. The currents north and south of it were responsible for the traffic that populated the islands, re-populated, welcomed and then repatriated for over four centuries. 6 thoughts on “ The Sargasso Sea. April 27, 2014 at 1:53 pm. It reminded me of ...
Deutsche Börse Photography Prize 2014 part III | John Umney - Documentary
https://umneydoc.wordpress.com/2014/06/04/deutsche-borse-photography-prize-2014-part-iii
John Umney – Documentary. Thoughts about the course Documentary →. Deutsche Börse Photography Prize 2014 part III. I remember last year’s DB exhibition. And how the arrangement of finalists had affected me, specifically how the impact of one exhibit as it rested by another artist’s work. Probably most affecting was ‘. By Cristina De Middel next to Bloomberg and Chanarin’s work ‘. Photograph courtesy The Photographer’s Gallery. Photograph courtesy The Photographer’s Gallery. And so to Jochen Lempert:.
What is Documentary? | John Umney - Documentary
https://umneydoc.wordpress.com/2013/02/06/what-is-documentary
John Umney – Documentary. The opening exercises to the course ask questions about the nature of documentary, I didn’t appreciate that it might also be a test in gathering resource material – the first link to a video is incorrect (being updated now by staff at OCA) the text to ‘Who is speaking thus? Some questions about Documentary photography’ in Solomon-Godeau. See Who is speaking thus. Looking at the essential reading list and the recommended I may be seeking additional funds. Enter your comment here.
Deutsche Borse finalists study visit | John Umney - Documentary
https://umneydoc.wordpress.com/2013/06/15/deutsche-borse-finalists-study-visit
John Umney – Documentary. Assignment 2, work in progress. Armenian archive 7 – an answer →. Deutsche Borse finalists study visit. In JJ Long’s essay Paratextual Profusion: Photography and Text in Bertolt Brecht’s War Primer. Poetics Today (Spring 2008) pp 206 he states:. Under capitalism, then, the ubiquitous forms of the commodity and the photograph are highly complex because they conceal the true nature of social relations beneath an almost indecipherable surface. Brecht’s War Primer. So I won’t consid...
John276778 | John Umney - Documentary
https://umneydoc.wordpress.com/author/jsumb
John Umney – Documentary. This looks like a camera strap got in the frame, maybe I knew it as the next frame is very similar. She has now noticed me. I remember lifting my camera and making a gesture, I don’t remember if she nodded, but there was something that passed between us. And now she has started to pose. Her scarf is undone to show more of her face and she also made sure her hair didn’t interfere with the shot. Thoughts about the course Documentary. Coming blessed or burdened with my personal and...
Open and echoing | John Umney - Documentary
https://umneydoc.wordpress.com/2014/04/17/open-and-echoing
John Umney – Documentary. First edit →. It had been suggested by one of my tutors that I read a couple of texts; one being ‘The Open Work’ by Umberto Eco and also perhaps some of Italo Calvino’s works, so I took along ‘Difficult loves’. These suggestions have come about from my thoughts about text and image and they formed that other staple of being away, holiday reading. However I wanted to make some images. This state might therefore pre-suppose acquaintance with the syntax of ‘Open-ness’? Some of the ...
Sent – a kind of end … – my world
https://southlivingblog.wordpress.com/2015/01/14/sent-a-kind-of-end
A journey in photography – capturing the world I live in…. Sent a kind of end …. Date: January 14, 2015. As I’m tracking my assessment material to be delivered to OCA HQ, I can’t help but take a look at the material every now and then, just to make sure everything I’ve sent is all right… a bit of a way to drive myself crazy, because now there really isn’t much I can do about anything. Shall I mention / question simulacrum here again? Anyway… I’m off on a tangent here…. But I also wanted to close this cha...
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Stéphanie Dhier Graphiste Indépendante | Graphiste indépendante
Bienvenue à toutes et à tous! Je me présente, Stéphanie DHIER, graphiste indépendante depuis 2011,. Diplômée en Arts Graphique. Basée à proximité de Thionville en Moselle, je vous accompagne dans la création et la réalisation de vos supports de communication visuelle. J’assure la direction artistique et la création graphique de tous vos projets de A à Z. Le statut de graphiste freelance permet une plus grande réactivité, disponibilité et proximité. Je m’adapte à tous les styles en respectant les règles d...
stephaniedhlearninglog.wordpress.com
TAOP – Stéphanie Dh. Learning Log
TAOP - Stéphanie Dh. Learning Log. 8212;0- a-Getting to Know your Camera. 8212;0- b-Photographing Movement. 1 – Part one: The Frame. 8212;1- a-Looking through the Viewfinder. 8212;1- b-Focal Lengths. 8212;1- c-Dividing the Frame. 8212;1- d-Frame Shapes and Sizes. 8212;1- e-Cropping and Extending. 8212;1- f- Assignment. 2 – Part two: Elements of Design. 8212;2- c-Using Lines in Composition. 8212;2- e-Rhythm and Pattern. 3 – Part Three: Colour. 8212;3- a-The History and Properties of Colour in Photography.
stephaniedhlearninglog2.wordpress.com
Digital Photographic Practice
Stéphanie Dh. Learning Log. 8211;1-1-A Sequence of Actions. 2-Part Two: Digital Image Qualities. 8211;2- 1-Linear Capture. 8211;2- 2-Highlight Clippings. 8211;2- 3-Your Tolerance for Noise. 8211;2- 4-Dynamic Range. 8211;2- 5-Colour Cast and White Balance. 8211;2- 6-Assignment Preparation. 3-Part Three: Processing the Image. 8211;3- 2-Optimising Tone and Colour. 8211;3- 3- Creative Interpretation. 8211;3- 4- Black-and-White. 8211;3- 5- Strength of Interpretation. 8211;3- 6- Colours into Tones. I was reall...
stephaniedhlearninglog3.wordpress.com
Understanding Visual Culture
Stéphanie Dh. Learning Log. 1- 1-Modernist Art: The Critic Speaks. 1- 2-Fetishising the Object of Your Eyes. 1- 3-Base and Superstructure. 1- 4-Ideology and Interpellation. 1- 5-Art as Commodity. 1- 6-Photography the New Reality. 1- 7-Leisure Time and Consumerism – Le Flaneur. 2- 1-The Work of Art in the Age of Mechanical Reproduction. 2- 3 -The Society of Spectacle. 2- 4-Good Taste, Bad Taste. 3-Of Signs and Symbols. 3- 1-Rhetoric of the Image. 3- 2-Structural ist Analysis. 3- 3-Myth is a type of speech.
stephaniedhlearninglog4.wordpress.com
Landscape | Stéphanie Dh.'s Learning Blog
1-Beauty and the Sublime. 12-Photography in the Museum or the Gallery? 14-What is a Photographer? 15-Visualising Assignment 6 (Transitions). 19-Visual research and analysis – social contrasts. 2-Landscape as a Journey. 21-‘Territorial Photography’. 3- Landscape as political text. 31-Reflecting on the Picturesque. 33-‘Late Photography’. 36-The memory of Photography. 42-The British Landscape during WW2. 44- ‘Of Mother nature and Malboro Men” (Deborah Bright). Research - Assignment 4. August 18, 2015. Betwe...
stephaniedhlearninglog5.wordpress.com
Digital Image and Culture – Learning Blog
Digital Image and Culture. 8212;——-. Assignment 1 – (T)here. Assignment 1 – Feedback. Research – Assignment 1. Research – Assignment 2. 8212;——-. Family Photography Now (Howarth, McLaren). Todd Hido (again and again). So the Story Goes (Art Institute of Chicago, 2006, Exhibition Catalog). Isabelle Monnin, Alex Beaupain Les gens dans l’enveloppe. Larry Sultan Pictures From Home. Mette Sandbye Performing and deforming the family archive. Sarah Polley Stories We Tell. Broomberg and Chanarin (From old notes).
Stephanie D. H. Robinson
Stephanie D. H. Robinson
Stephanie D. H. Robinson
Stephanie d'Hubert Photography
Stephanie Diamond
This Is What I Eat, Santa Fe. Listings Project Focus Group. Time Capsules for our Grandchildren. Ideas/Thoughts/Ramblings for Flux Factory. 6 Hours Sitting Still, 6 Hours Dancing without Music. Home Away from Home. Photographing with my Being. This is What I Eat. This is What I Eat Mural. It Would Look Like.(Project Row Houses). It Would Look Like (Captive Audience). It Would Look Like. (I Heart the Burbs). I Was Trapped in this Elevator. Mi Memory es su Memory. Men Hitting on Me Billboard.
