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BFI Screenonline

Definitive guide to British film and TV history, with analysis, information and multimedia

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BFI Screenonline | screenonline.org.uk Reviews
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Definitive guide to British film and TV history, with analysis, information and multimedia
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BFI Screenonline | screenonline.org.uk Reviews

https://screenonline.org.uk

Definitive guide to British film and TV history, with analysis, information and multimedia

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1

BFI Screenonline: Social Realism

http://www.screenonline.org.uk/film/id/1037898

The most 'typically British' of all film genres. Better than any other genre, social realism has shown us to ourselves, pushing the boundaries in the effort to put the experiences of real Britons on the screen, and shaping our ideas of what British cinema can be. While our cinema has experienced all the fluctuations in fortune of Hollywood's first export territory, realism has been Britain's richest gift to world cinema. As in France, where the 'actualités' of cinema pioneers the. Would become a key figu...

2

BFI Screenonline: 'I Know Where I'm Going!' (1945)

http://www.screenonline.org.uk/film/id/438707/index.html

I Know Where I'm Going! Courtesy of ITV Global Entertainment. 35mm, black and white, 92 mins. Michael Powell, Emeric Pressburger. Michael Powell, Emeric Pressburger. Michael Powell, Emeric Pressburger. Cast: Wendy Hiller (Joan Webster); Roger Livesey (Torquil MacNeil); Pamela Brown (Catriona Potts); Finlay Currie (Ruairidh Mhor). Show full cast and credits. After the relative failure of. I Know Where I'm Going! 1945), an unconventional romance set in the Western Isles. Takes some time to wake up to the e...

3

BFI Screenonline: Cinema Action Biography

http://www.screenonline.org.uk/people/id/529319/index.html

Was among several left-wing film collectives formed in the late sixties. The group started in 1968 by exhibiting in factories a film about the French student riots of that year. These screenings attracted people interested in making film a part of political activism. With a handful of core members -. The group pursued its collective methods of production and exhibition for nearly twenty-five years. Not a Penny on the Rent. By the beginning of the seventies,. Both these films typify. So That You Can Live.

4

BFI Screenonline: Short Films

http://www.screenonline.org.uk/film/id/1350979/index.html

The feature's older but less celebrated brother. Short films have been central to some of the most celebrated moments of British cinema history - from the 1930s documentary movement through. To 1970s experimental film. Many of our major directors have launched their careers with short films:. Amelia and the Angel. Where's the Money Ronnie! Instead, short films have migrated to other media - chiefly television and the internet - but with mixed results. In the UK, television has been absolutely central...

5

BFI Screenonline: Medical Drama

http://www.screenonline.org.uk/tv/id/481612/index.html

A brief history of docs on the box. The National Health Service (NHS) opened its doors on 5 July 1948 - for the first time everyone was entitled to free medical care. With its combination of modern treatments and unrestricted access, the new service quickly became a symbol of a new postwar society based on science and compassion. What is difficult to understand is why it took almost a decade for broadcasters to realise this could make for compelling TV drama. Misunderstood and instead created a drama.

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Year 13 – Some generally useful PoMo things… | Mrs Black's Media

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Everything you need for your media A level. Mrs Black's Media. Year 13 – Some generally useful PoMo things…. This is a bit sweary – but good! Year 13 – Postmodern Media – Strinati and the 5 features of Postmodernism. Year 12 – Film Industry – Useful Articles →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email. Typical P...

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Online Reference Library

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Reset to standard size. Increase or decrease the font size for this website by clicking on the 'A's. Reset to normal contrast. Choose a colour combintion to give he most comfortable contrast. Ask a Kent Librarian. To chat with a librarian, enter your name, e-mail address, and question below:. View the full A-Z list. Of our online resources. Naxos Music Library - Jazz. Click the logo to access the full text of the 'New Grove Dictionary of Music and Musicians' (2nd edition), the 'New Grove Dictionary of Op...

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The Noodle: Brilliant Expressionist Links - Tim Burton Focus

http://6thformnoodle.blogspot.com/2012/10/brilliant-expressionist-links-tim.html

Monday, 15 October 2012. Brilliant Expressionist Links - Tim Burton Focus. Http:/ www.youtube.com/watch? V=2rcPe9sojpc&feature=youtube gdata player http:/ www.acmi.net.au/2010-09/the-gothic-imagination-of-tim-burton.pdf http:/ www.digitalfilmarchive.net/clda/moving image arts/film lesson plans/mis-en-scene and tim burton.asp. Http:/ www.timburtoncollective.com/vincent.html http:/ fotoone.dot5hosting.com/documents/Burton web.pdf. Posted by Nina Moore. Monday, October 15, 2012. Welcome to The Noodle. Year ...

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Marcus Couling: 3 DISTRIBUTION

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1 FORMS AND CONVENTIONS. 2 REPRESENTATION OF SOCIAL GROUPS. 4 Who is YOUR TARGET AUDIENCE. 5 ATTRACTING AND ADDRESSING AUDIENCES. 7 WHAT I HAVE LEARNED ABOUT FILM MAKING. WHAT KIND OF MEDIA INSTITUTION MIGHT DISTRIBUTE YOUR MEDIA PRODUCT AND WHY? Films are distributed by film distributors who are responsible for all aspects of attracting and addressing the target audience for the film. Was an excellent film of (Tom Hardy), who plays (Charles Bronson(, formerly known as (Michael Peterson Rein) acting the ...

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Aesthetics at Simon Blanchard

http://www.simonblanchard.org/category/aesthetics

Media, History and Politics. Archive for the ‘Aesthetics’ Category. Garrett Brown (inventor of Steadicam) offers 10 ‘impossible’ shots from his demo reel (1974). Account is here: http:/ www.hollywoodreporter.com/news/steadicam-inventor-reveals-impossible-shots-725346. September 7th, 2014 at 12:15 pm. 8216;Mad World’ Remix. Paul Kalkbrenner reworks the. September 7th, 2014 at 11:39 am. Looking At the Camera. Leigh Singer’s 4th wall compilation. Breaking the 4th Wall Movie Supercut. Writing, Study, etc.

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Print Publications at Simon Blanchard

http://www.simonblanchard.org/printpublications

Media, History and Politics. Blanchard, S. (2013) ‘The Two Faces of Channel Four: Some Notes in Retrospect’,. Historical Journal of Film, Radio and Television. 33(3): 365-376. ( pdf. Blanchard, S. (2009) ‘Mediated Culture and Exemptionalism’ in Kate Soper, Martin Ryle and Lyn Thomas (eds). The Politics and Pleasures of Consuming Differently. Basingstoke: Palgrave Macmillan. [ISBN 978-0-230-53728-6] ( pdf). The Alternative Media Handbook,. Abingdon: Routledge. [ISBN 978-0-415-35965-8] ( pdf. Blanchard, S&...

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BFI Screenonline

There was so much more to Ealing Studios than its famous comedies. But there's one category of Ealing films that's really obscure. The 30-odd documentaries and propaganda shorts released by the studio between 1939 and 1946 are barely known. Several have lain unseen for decades, and many others are missing altogether. MORE HIGHLIGHTS FROM BFI SCREENONLINE. The Tommy Steele Story (1957). The Stone Tape (1972). Old Curiosity Shop, The (1934). Rock You Sinners (1957). Sudden Wrench, A (1982). The evergreen c...

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