Fulbright College of Arts and Sciences. Welcome to the Digital Pompeii Project. Series, as well as the Villa Arianna at Castellammare di Stabia, in conjunction with the Restoring Ancient Stabia foundation. The Project relies on a combination of traditional and CAD plans, and laser scanning data (for Villa Arianna). Primary software packages are Cinema 4D, ZBrush, and the game engine Unity.
http://pompeii.uark.edu/
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Digital Pompeii Home | pompeii.uark.edu Reviews
https://pompeii.uark.edu
Fulbright College of Arts and Sciences. Welcome to the Digital Pompeii Project. Series, as well as the Villa Arianna at Castellammare di Stabia, in conjunction with the Restoring Ancient Stabia foundation. The Project relies on a combination of traditional and CAD plans, and laser scanning data (for Villa Arianna). Primary software packages are Cinema 4D, ZBrush, and the game engine Unity.
pompeii.uark.edu
Digital Pompeii Home
http://pompeii.uark.edu/index.html
Fulbright College of Arts and Sciences. Welcome to the Digital Pompeii Project. Series, as well as the Villa Arianna at Castellammare di Stabia, in conjunction with the Restoring Ancient Stabia foundation. The Project relies on a combination of traditional and CAD plans, and laser scanning data (for Villa Arianna). Primary software packages are Cinema 4D, ZBrush, and the game engine Unity.
Digital Pompeii Staff
http://pompeii.uark.edu/DigitalPompeii_Content/Staff.html
Fulbright College of Arts and Sciences. David Fredrick, Director. David Fredrick is Associate Professor of Classical Studies and Director of Humanities at the University of Arkansas. He has published on Roman architecture, wall painting, and poetry, including the edited volume,. The Roman Gaze: Vision, Power, and the Body. His primary responsibility in the project is the creation of 3D content in Cinema 4D and lighting/baking in Unity. Jasmine Merced, Database Development.
Explore the Models
http://pompeii.uark.edu/DigitalPompeii_Content/Models.html
Fulbright College of Arts and Sciences. The Digital Pompeii interface requries the use of the Unity player, a free cross-platform player much like the Flash plugin. Ciick HERE to download and install the Unity player. Both have comparatively high machine requirements, and may not run smoothly on a computer without a standalone video card. To explore the model for the House of the Vettii. To explore the model for the House of the Prince of Naples.
Digital Pompeii Database
http://pompeii.uark.edu/DigitalPompeii_Content/Database.html
Fulbright College of Arts and Sciences. The Digital Pompeii database aims to provide a comprehensive database of the evidence for visual art in Pompeii. We are beginning with the Italian reference work. Pompei: pitture e mosaici. The primary organization of the database is spatial, from the regio down to the wall, so that the database is searchable by space (e.g. all examples of X in Regio Y, or simply show all rooms identified as triclinia), as well as by theme, character, motif, etc.
Villa Arianna
http://pompeii.uark.edu/DigitalPompeii_Content/VillaArianna.html
Fulbright College of Arts and Sciences.
TOTAL PAGES IN THIS WEBSITE
7
Pompeii: material, virtual, imaginary: November 2014
http://kosmopoietes.blogspot.com/2014_11_01_archive.html
Pompeii: material, virtual, imaginary. Monday, 17 November 2014. Routine can kill passion (and mess up your data). Documenting what you do, step by step, sounds easy. But it is not. Think, for example, of describing your morning routine. Would you be able to? Let’s give it a try: you wake up, get out of bed, prepare your coffee or tea. Wait. We forgot to say that you put your slippers on. Oh, and before that, that you probably turned off your alarm. You see? Elements of a series: isDerivedFrom. In this c...
Pompeii: material, virtual, imaginary: A clash of sources: hypotheses on the digital unification of the ekkleasiasterion
http://kosmopoietes.blogspot.com/2015/03/a-clash-of-sources-hypotheses-on.html
Pompeii: material, virtual, imaginary. Tuesday, 24 March 2015. A clash of sources: hypotheses on the digital unification of the ekkleasiasterion. Fragment 1.62: Landscape with ceremony in honor. Of Osiris. Archaeological Museum of Naples. This is the reason why both scholars agree that fragment 1.62 [Landscape with ceremony in honor of Osiris] should be placed in the left side of the south wall (as the Pompeianarum antiquitatum historia. So, I definitely agree with Elia and Sanpaolo. In addition, Elia su...
Pompeii: material, virtual, imaginary: Routine can kill passion (and mess up your data)
http://kosmopoietes.blogspot.com/2014/11/routine-can-kill-passion-and-mess-up.html
Pompeii: material, virtual, imaginary. Monday, 17 November 2014. Routine can kill passion (and mess up your data). Documenting what you do, step by step, sounds easy. But it is not. Think, for example, of describing your morning routine. Would you be able to? Let’s give it a try: you wake up, get out of bed, prepare your coffee or tea. Wait. We forgot to say that you put your slippers on. Oh, and before that, that you probably turned off your alarm. You see? Elements of a series: isDerivedFrom. In this c...
Pompeii: material, virtual, imaginary: Letters from the Gamma Room: visiting the i3Mainz
http://kosmopoietes.blogspot.com/2015/02/letters-from-gamma-room-visiting-i3mainz.html
Pompeii: material, virtual, imaginary. Monday, 2 February 2015. Letters from the Gamma Room: visiting the i3Mainz. View of historic Mainz from Mainz-Kastel;. Woodcut by Franz Behem, 1565 (image: Mainz City Archive. I am spending some weeks in Mainz, Germany, at the i3Mainz. In the University of Applied Science. What I’m going to discuss here, are the relationships between the GV and my own research, and their possible interactions. Extract and calculate geometric information about the elements in it,.
July 16: Modeling and Models | Building a Digital Portfolio
http://arthistory2015.doingdh.org/week-1-thursday
Building a Digital Portfolio. Local and Travel Information. July 16: Modeling and Models. Harold Kraemer, Art Is Redeemed, Mystery Is Gone: The Documentation of Contemporary Art, in Theorizing Digital Cultural Heritage: A Critical Discourse. Ed Fiona Cameron and Sarah Kenderdine, Media in Transition (Cambridge, Mass: MIT Press, 2007), 193 222. View PDF. David Hewitt, Please Touch the Art: 3-D Printing Helps Visually Impaired Appreciate Paintings, Smithsonian. Smithsonian X 3D Explorer, Smithsonian X 3D.
Our Team | "Discoveries" of the Americas
http://www.discoveriesoftheamericas.org/team
Experience Gudrid’s world. Experience Brendan’s world. If you're new here, you may want to subscribe to my RSS feed. L’Anse aux Meadows Project. And tesseract.uark.edu. Of the travels of Hernando de Soto. CONSULTANTS FOR THE L’ANSE AUX MEADOWS PROJECT. PhD, Michigan State, 1981) is a Professor of Anthropology at the University of Arkansas, Fayetteville. His dissertation is on the Baffinland Inuit. He specializes in the interaction between European explorers and American Indians. He is a conte...PhD, Ariz...
Pompeii: material, virtual, imaginary: Particular to General: a round trip
http://kosmopoietes.blogspot.com/2014/10/particular-to-general-round-trip.html
Pompeii: material, virtual, imaginary. Friday, 3 October 2014. Particular to General: a round trip. A Greek philosopher and his disciples by Antonio Zucchi. From BBC Your Paintings. This is definitely a sensible and fruitful approach. It ensures a better level of consistency and it is likely to generate a more solid piece of knowledge modelling. I will need to wear the philosopher's clothes when this phase is finished to make everything more homogeneous and (hopefully) fill the gaps. So, I have decided t...
Pompeii: material, virtual, imaginary: July 2014
http://kosmopoietes.blogspot.com/2014_07_01_archive.html
Pompeii: material, virtual, imaginary. Tuesday, 1 July 2014. The Mysterious Story of the Disappeared Colonnade. As we mentioned realism and realistic style, it is probably the right time to tell one of my favourite Iseum stories: the Disappeared Colonnade (and Wall). DEPREZ, Louis Jean, Temple of Isis with Protective Covering. At Pompeii, undated, black ink, grey wash and watercolour,. National Museum, Stockholm. In this image by Desprez (which is also, by the way, the only one showing temporary structur...
Pompeii: material, virtual, imaginary: Embrace your inner dr. Frankenstein: documenting heterogeneous sources
http://kosmopoietes.blogspot.com/2014/11/embrace-your-inner-dr-frankenstein.html
Pompeii: material, virtual, imaginary. Monday, 3 November 2014. Embrace your inner dr. Frankenstein: documenting heterogeneous sources. There are a few things I have noticed writing the documentation of my 3D model in RDF, that I had not realised before starting thinking about it. When I started my research on the ontology, I assumed that assigning one source to each element of the 3D model would have been more than enough to document sufficiently a 3D visualisation of cultural heritage. For this reason,...
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pompeii's blog - salvation - Skyrock.com
La vie est une longue histoire. Un mauvais chapitre ne signifie pas nécessairement la fin. 08/11/2013 at 4:40 PM. 19/04/2014 at 8:13 PM. Subscribe to my blog! J'étais trop jeune pour comprendre les fleurs qui glissaient de tes mains. Posted on Saturday, 09 November 2013 at 8:48 AM. Edited on Friday, 18 April 2014 at 10:14 AM. Claudia / Derek ●. Romance ; drame ; angst. Posted on Saturday, 09 November 2013 at 7:33 AM. Edited on Friday, 18 April 2014 at 10:14 AM. PARTIE I ; Roses red. Chapitre 01 ;.
Pompeii | Just another WordPress site
Pompeii Just another WordPress site. Personal Material Wordpress Blog Theme. 2015 POMPEII. Designed By DZOAN. Food & Drink. Single full-width post 1. Single full-width post 2. Single standard post 1. Single standard post 2. WELCOME TO MY WORLD. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commod...
Digital Pompeii Home
Fulbright College of Arts and Sciences. Welcome to the Digital Pompeii Project. Series, as well as the Villa Arianna at Castellammare di Stabia, in conjunction with the Restoring Ancient Stabia foundation. The Project relies on a combination of traditional and CAD plans, and laser scanning data (for Villa Arianna). Primary software packages are Cinema 4D, ZBrush, and the game engine Unity.
pompeii.us | Registered at
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Pompeii Forum Project
This website is undergoing changes* * The Pompeii Forum Project is an interdisciplinary collaborative research venture sponsored by the National Endowment for the Humanities, the University of Virginia, and private contributors. Project members are from the University of Virginia and elsewhere. Enter the Forum through the columns on the side or click on the above banner for a. Brief description of the project. Document URL: http:/ www.iath.virginia.edu/index.html.
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