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Motivic Hearing

In this program, you will learn to identify melodic trichords by ear along with their operations and prime forms. Trichords have two melodic intervals and may follow jagged UP/DOWN or DOWN/UP contours in addition to smooth ASCENTS and DESCENTS. These contours and intervals may be used to identify the operations PRIME (P), RETROGRADE (R), INVERSION (I), and RETROGRADE INVERSION (RI). To learn more about Twentieth-Century Music Theory and Practice. For a complimentary exam copy. See inside this book.

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Motivic Hearing | motivichearing.com Reviews

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In this program, you will learn to identify melodic trichords by ear along with their operations and prime forms. Trichords have two melodic intervals and may follow jagged UP/DOWN or DOWN/UP contours in addition to smooth ASCENTS and DESCENTS. These contours and intervals may be used to identify the operations PRIME (P), RETROGRADE (R), INVERSION (I), and RETROGRADE INVERSION (RI). To learn more about Twentieth-Century Music Theory and Practice. For a complimentary exam copy. See inside this book.

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Motivic Hearing | motivichearing.com Reviews

https://motivichearing.com

In this program, you will learn to identify melodic trichords by ear along with their operations and prime forms. Trichords have two melodic intervals and may follow jagged UP/DOWN or DOWN/UP contours in addition to smooth ASCENTS and DESCENTS. These contours and intervals may be used to identify the operations PRIME (P), RETROGRADE (R), INVERSION (I), and RETROGRADE INVERSION (RI). To learn more about Twentieth-Century Music Theory and Practice. For a complimentary exam copy. See inside this book.

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Motivic Hearing

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This project was made possible by a grant from Faculty and Student Teams for Technology ( FAST Tex), a program of The Center for Teaching and Learning. At the University of Texas at Austin. Edward R. Pearsall. John Wm. Schaffer. Zack Stanton, Dan McConnell. Piano samples used in the exercises are from the Garritan Authorized Steinway Piano Library.

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twentiethcenturymusictheoryandpractice.net

Recent site activity - Twentieth-Century Music Theory and Practice

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Twentieth-Century Music Theory and Practice. Nov 9, 2013, 7:56 AM. Edward Pearsall edited Home. Apr 23, 2013, 8:40 AM. Edward Pearsall updated TwentiethCenturyErrata.pdf. Apr 23, 2013, 8:33 AM. Edward Pearsall updated TwentiethCenturyErrata.pdf. Apr 23, 2013, 8:26 AM. Edward Pearsall updated TwentiethCenturyErrata.pdf. Apr 12, 2013, 12:32 PM. Edward Pearsall edited Home. Mar 13, 2013, 6:37 PM. Edward Pearsall attached PearsallCover.jpg. Mar 12, 2013, 11:18 AM. Edward Pearsall edited Home.

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Topics by Chapter - Twentieth-Century Music Theory and Practice

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Twentieth-Century Music Theory and Practice. Chapter 1: Scales, Harmony, and Referential Collections. Synthetic (a.k.a. exotic or artificial) scales. Lydian-Mixolydian scale (a.k.a. acoustic scale). Modes of limited transposition. Chapter 2: Pitch and Interval. Total interval-class content (interval-class content). Chapter 3: Sets and Segmentation. Adjacency interval series (AIS). Inversionally equivalent unordered pc sets. Chapter 4: Unordered Sets and Their Operations. Chapter 5: Set-Class Analysis.

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Twentieth-Century Music Theory and Practice

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Twentieth-Century Music Theory and Practice. There are also a variety of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website at motivichearing.com. Allow students to use theoretical concepts as the foundation for analytical listening. To request a PDF file with the instructor's manual, contact the author at motivichearing@gmail.com. Publisher: Routledge Taylor and Francis Group. See inside this book.

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Twentieth-Century Music Theory and Practice.

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Table of Contents - Twentieth-Century Music Theory and Practice

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Twentieth-Century Music Theory and Practice. 1 Scales, Harmony, and Referential Collections. PLR Transformations and Voice Leading Parsimony. Scales and Referential Collection. 2 Pitch and Interval. 3 Sets and Segmentation. Ordered and Unordered Sets. Pitch and Pc Cycles. A Brief Introduction to Segmentation. Analysis of Witold Lustoslawski's Symphony No. 1, III. 4 Unordered Sets and Their Transformations. Some Further Observations about Prime Forms. 6 Ordered Pitch Sets and Their Operations.

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Motivic Hearing

In this program, you will learn to identify melodic trichords by ear along with their operations and prime forms. Trichords have two melodic intervals and may follow jagged UP/DOWN or DOWN/UP contours in addition to smooth ASCENTS and DESCENTS. These contours and intervals may be used to identify the operations PRIME (P), RETROGRADE (R), INVERSION (I), and RETROGRADE INVERSION (RI). To learn more about Twentieth-Century Music Theory and Practice. For a complimentary exam copy. See inside this book.

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