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MOMMY | by Susan Silas and Chrysanne Stathacos

By Susan Silas and Chrysanne Stathacos. Skip to primary content. Skip to secondary content. A conversation with Nancy Friedemann-Sánchez. September 28, 2016. Nancy Friedemann-Sánchez at her Brooklyn home. 2016 by Chrysanne Stathacos. I have observed that you are constantly exploring this duality. Is there a body of your work that you think really portrays those two themes of integrating yet being outside of American culture and the history of American art? While in school in Bogotá we discussed local pol...

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MOMMY | by Susan Silas and Chrysanne Stathacos | mommybysilasandstathacos.com Reviews
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By Susan Silas and Chrysanne Stathacos. Skip to primary content. Skip to secondary content. A conversation with Nancy Friedemann-Sánchez. September 28, 2016. Nancy Friedemann-Sánchez at her Brooklyn home. 2016 by Chrysanne Stathacos. I have observed that you are constantly exploring this duality. Is there a body of your work that you think really portrays those two themes of integrating yet being outside of American culture and the history of American art? While in school in Bogotá we discussed local pol...
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4 news
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MOMMY | by Susan Silas and Chrysanne Stathacos | mommybysilasandstathacos.com Reviews

https://mommybysilasandstathacos.com

By Susan Silas and Chrysanne Stathacos. Skip to primary content. Skip to secondary content. A conversation with Nancy Friedemann-Sánchez. September 28, 2016. Nancy Friedemann-Sánchez at her Brooklyn home. 2016 by Chrysanne Stathacos. I have observed that you are constantly exploring this duality. Is there a body of your work that you think really portrays those two themes of integrating yet being outside of American culture and the history of American art? While in school in Bogotá we discussed local pol...

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A conversation with Arahmaiani | MOMMY

http://www.mommybysilasandstathacos.com/2014/04/20/a-conversation-with-arahmaiani

By Susan Silas and Chrysanne Stathacos. Skip to primary content. A conversation with Arahmaiani. April 20, 2014. Arahmaiani photographed in front of Dutch Wife, 2013 at Tyler Rollins, Janaury 2014. 2014 by Chrysanne Stathacos. I wanted to start by asking you how you developed your practice as a performance artist and who your role models were, if any, because it seems to me that choosing performance might have been unusual in the context that you were in at the time, especially for a woman. Wow, that doe...

2

A conversation with Cathy Busby | MOMMY

http://www.mommybysilasandstathacos.com/2012/08/17/a-conversation-with-cathy-busby

By Susan Silas and Chrysanne Stathacos. Skip to primary content. A conversation with Cathy Busby. August 17, 2012. Aura portrait of Cathy Busby – 2012 by Chrysanne Stathacos. You describe your work as social practice. How is social practice related to social justice, especially with regard to pain, which is a deeply emotional and feard subject? You got a PhD? Self-Help Library, 1994. Was there an event that triggered your interest in pain? Can you tell us how you ended up showing at the New Museum and ab...

3

A Seminal Work | MOMMY

http://www.mommybysilasandstathacos.com/seminal-work

By Susan Silas and Chrysanne Stathacos. Skip to primary content. Photo credit: Maxine Henryson. 1993-5) was my first interactive public artwork. Taking the form of a mirrored phone booth,. Playing off the 1-900 pay talk phone lines mainly used for psychic and sex dialogues, I took on the role of the artist as seer. My presence as oracle within the small screen of the videophone often radiated as I asked, Do you have a question for the future? Witch Using Magic Mirror. Mirrors have been used throughout hi...

4

A conversation with Silvia Kolbowski | MOMMY

http://www.mommybysilasandstathacos.com/2014/11/10/a-conversation-with-silvia-kolbowski

By Susan Silas and Chrysanne Stathacos. Skip to primary content. A conversation with Silvia Kolbowski. November 10, 2014. Silvia Kolbowski in her New York studio 2014 by Susan Silas. 1971) and Psychoanalysis and Feminism. 1974), Levi-Strauss on kinship structures, and some Freud. I think we read Lacan, but I’m not sure. Video still from After Hiroshima Mon Amour, 2008. 22 mins., video and b w film. Courtesy of the artist. Did the reading group last a long time? Resistance in what way? All the theory that...

5

A conversation with Bettina Lockemann | MOMMY

http://www.mommybysilasandstathacos.com/2015/04/03/a-conversation-with-bettina-lockemann

By Susan Silas and Chrysanne Stathacos. Skip to primary content. A conversation with Bettina Lockemann. April 3, 2015. Bettina Lockemann on the Upper West Side, New York City 2015 by Chrysanne Stathacos. I thought a good place to begin might be to explain how we found one another, or really, how you found me, because we share an interest in subject matter and went about representing it in related ways. I am thinking specifically of your work. In 1995, made the work in 1998 and published it in 2002. And s...

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Links | Chrysanne Stathacos

http://chrysannestathacos.com/links

Centre for Canadian Art. 48 C Public.Art.Ecology. Dongyu Gatsal Ling Initiatives. Jetsunma Tenzin Palmo – Dongyu Gatsal Ling. The Hair Dresses of Anne de Cybelle. The Petals & Prints. Public Art & Social Sculptures. Refuge, a wish garden. One Garden One Night One Wish. Public Art Commissions and Proposals. On Nature & Travels. New York City One Garden One Year. I wish to buy you / Candy Factory. Multiples & Books. Early History / Art Archives. Early Years – Toronto 1970’s-80’s. Delphi: Were You Here.

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Susan Silas

http://www.tiszariverproject.com/links.html

An artwork by Susan Silas. The dreamlife of mayflies. 2013 by Susan Silas. The Tisza River Project. Tisza River Basin/International Commission for the Protection of the Danube River. Mayflies: One of the Earliest Insect Groups Known to Man. Biological Studies of Palingenia longicauda in One of its Last European Refuges - Feeding Habits, Ethological Observations and Egg Structure. By Peter Landolt, Michel Sartori, Christian Elpers and Ivan Tomka. Eastern Hungary in 106 bus shelters.

susansilas.com susansilas.com

Susan Silas

http://www.susansilas.com/links.html

2011 by Susan Silas. Buddha Diaries (April 9). Landscapes of Holocaust Postmemory. Saatchi Online TV and Magazine. Hebrew Union College Museum. MOMA PS1 Studio Visit. Exquisite Corpse – A Journal of Letters and Life. Man With A Movie Camera. Memorial Foundation for Jewish Culture. Memory Effects: The Holocaust and the Art of Secondary Witnessing. New York Historical Society. The September 11 Photo Project (book). Remnants of Song; Trauma and the Experience of Modernity. Todd R. Forsgren.

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By Susan Silas and Chrysanne Stathacos. Skip to primary content. Skip to secondary content. A conversation with Nancy Friedemann-Sánchez. September 28, 2016. Nancy Friedemann-Sánchez at her Brooklyn home. 2016 by Chrysanne Stathacos. I have observed that you are constantly exploring this duality. Is there a body of your work that you think really portrays those two themes of integrating yet being outside of American culture and the history of American art? While in school in Bogotá we discussed local pol...

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