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mercury filmsSanyogita - The Bride in Red POPCON popcon Bodyculture Bodycult Daridram
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Sanyogita - The Bride in Red POPCON popcon Bodyculture Bodycult Daridram
http://www.mercury-films.de/
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Sanyogita - The Bride in Red POPCON popcon Bodyculture Bodycult Daridram
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Sanyogita - The Bride in Red. Interested in experimental films? You are just on the right page!
Sanyogita - The Bride in Red : Storyline
http://www.mercury-films.de/story.htm
Sanyogita - The Bride in Red. At the trial court Sanyogita has her first insight into the on going feud in which her husband is actively involved. She realises that her husband is a raw and rough kind of personality. She feels lonely and a wistful melancholy mood descends on her. Bheru, is a wandering, gaduliya lohar. Landlord) whom they blame for their predicament. The thakur. Informs the forlorn lot that the thakur. And his men are on their way here. Tired, confused and frightened as they are, the ...
Sanyogita - The Bride in Red : Style, Theme
http://www.mercury-films.de/narrative.htm
Sanyogita - The Bride in Red. The film is an effort to present a different narrative style, that manages to not only concentrate on narrating a story but to evoke levels of reflection in the audience which open up swirls of possibilities. As a result the spectator forms a very active part in deciphering the story, forming her or his own conclusions. Rather than telling every detail of the happenings in the family, the film concentrates on the inner struggle of a young girl, who instead of accepting her.
Sanyogita - The Bride in Red
http://www.mercury-films.de/sanyo.htm
Sanyogita - The Bride in Red. Erhält alles seinen eigenen Raum: die Farben, die Stimmen, die Geräusche, die Musik, die Schauspieler und die Kamera - all das, was das kinematografische Bild auf der Leinwand ausmacht. Jedes Element wird hier zu einer eigenen Eintität und fügt sich zugleich zu einem großen Ganzen zusammen. Das Visuelle und das Akustische existieren gleichberechtigt nebeneinander, verdoppeln, verzweigen, wiederholen und widersprechen sich.". Sarah-Mai Dang, Film Dienst, 21/2005.
Sanyogita - The Bride in Red: Film Festivals, Screenings and Reviews
http://www.mercury-films.de/festival-reviews.htm
Sanyogita - The Bride in Red. Sadashivam Raos Debütspielfilm Sanyogita - The Bride in Red. Beweist, dass der indische Film mit Bollywood-Kitsch, häufig synonym verwendet, auch spielerisch umgehen kann. Tatsächlich ist dem seit mehr als zehn Jahren in Heidelberg und Halle an der Saale lebenden Regisseur ein Debüt gelungen, das für die Zukunft einiges verspricht. Um so mehr für eine Produktion, deren Budget mit 65 000 Euro wirklich low ist". Südasien, 1/2004). Asian Film Festival, Lyon, France, 2003. Zeigt...
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Sanyogita - The Bride in Red. Especially making them. In mercury films we work towards the production of narrative films connected to India. The idea is to explore new territories in film-making by still producing films which are entertaining as well as senstive to the portrayal of human emotions and social relationships. But the aims are far from fixed. We want to experiment on all levels of filmmaking, on themes, on cinematography, editing and narrative styles.
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