masablogg.blogspot.com
On The MASA: Pornomiseria: Or How Not to Make a Documentary Film
http://masablogg.blogspot.com/2009/11/pornomiseria-or-how-not-to-make.html
Pornomiseria: Or How Not to Make a Documentary Film. Posted by onder at 11:15 AM. Carlos Mayolo and Luis Ospina, Agarrando pueblo, 1977, 28min, film stills. Represented the first instance of militant cinema in Colombia. León Giraldo, however, had come to exemplify the ideological ambiguities and betrayals of a nascent national film industry struggling to define itself amidst the contradictory impulses of political commitment and aesthetic value, economic viability and mass visibility.
masablogg.blogspot.com
On The MASA: R.I.P Mardo Ohanoğlu
http://masablogg.blogspot.com/2009/10/rip-mardo-ohanoglu.html
Posted by Vahid at 12:48 PM. Sevgili Mardo'cum, kendine iyi bak. Seni hep hatırlayacağız. Subscribe to: Post Comments (Atom).
masablogg.blogspot.com
On The MASA: Positively Trojan Horses Revisited
http://masablogg.blogspot.com/2009/10/positively-trojan-horses-revisited.html
Positively Trojan Horses Revisited. Posted by onder at 2:02 PM. Lucy Lippard’s famous essay on activist art should need no introduction or art historical contextualization; what’s more, “Trojan Horses: Activist Art and Power,” published in the seminal 1984 anthology Art After Modernism. Represents but one entry point into a truly impressive body of work dedicated to the politics of art and representation from the 1960s up to today. A Decade of Art for Social Change. Forget It.”.
underscene-project.blogspot.com
underscene project: ‘Emploi Saisonnier/Seasonal Work’ sergisi kapsamında "A Guide to Dreaming" işi dışında İzmir çıkışlı fanzin arşivi de sergilendi.
http://underscene-project.blogspot.com/2010/01/emploi-saisonnierseasonal-work.html
13 Ocak 2010 Çarşamba. 8216;Emploi Saisonnier/Seasonal Work’ sergisi kapsamında "A Guide to Dreaming" işi dışında İzmir çıkışlı fanzin arşivi de sergilendi. Underscene project, profesyonel anlamda dolaşıma girmemiş müzik gruplarının, hertürlü kayıtlarının ve bunlarla bağlantılı materyallerin derlenip arşivlendiği, büyük ve kapsamlı bir havuzdur. Underscene geliştirilebilir bir açık arşivdir. Http:/ www.fabrik-a.blogspot.com/. Http:/ eksi1.blogspot.com/. K2 Contemporary Art Centre. Street art sınaz and raz.
masaproject.blogspot.com
MASA: Şubat 2009
http://masaproject.blogspot.com/2009_02_01_archive.html
Karolin Fişekçi “Fullü (Full) Defence” @ Platform Garanti. 06, 02 - 28, 02 2009. Karolin Fisekci graduated from Mimar Sinan University, Faculty of Fine Arts Painting Department in 2003, after which she attended the Faculty of Social Sciences, Painting Department of the same University. Karolin Fisekci showed her works in Under the Beach: The Pavement, Proje4L, Istanbul, 2002; Denizati Sanat Galerisi, Istanbul, 2005; and Sobe, Bilsar, Istanbul, 2007. Subscribe to: Kayıtlar (Atom).
masaproject.blogspot.com
MASA: Mayıs 2011
http://masaproject.blogspot.com/2011_05_01_archive.html
Yasemin Nur Toksoy, Holy Crap, 11-25 February 2011, Atatürk Kitaplığı. He died just after this photograph was taken. This newspaper clipping is the document of that incident. It is about being there at that moment. When we see it the scene and the date are already changed. In this scrap book, called “Holy Crap”, newspaper clippings are cut out and picked from their places, newspapers, dates. As parts and evidences of witnessed affairs they are holy scraps. Subscribe to: Kayıtlar (Atom).
masablogg.blogspot.com
On The MASA: Istanbul Biennial Panel Discussion
http://masablogg.blogspot.com/2009/09/istanbul-biennial-panel-discussion.html
Istanbul Biennial Panel Discussion. Posted by onder at 10:28 AM. Who Needs A World View? September 12, 4-6 pm. Bertolt Brecht, “Who Needs A World View? 8221; (c. 1930). Know what to do. About the world economy? How can artists and intellectuals intervene across the diverging scales of contemporary politics? Over half a century ago, Brecht put the question bluntly: Who needs a world view? Participants: Meltem Ahiska, Bassam El-Baroni, Charles Esche, Marko Peljhan, Irit Rogoff; moderated by Brian Holmes.
masaproject.blogspot.com
MASA: Soren Thilo Funder “SURVIVALISM” @ Beyoglu Pera Sineması
http://masaproject.blogspot.com/2009/11/soren-thilo-funder-survivalism-beyoglu.html
Soren Thilo Funder “SURVIVALISM” @ Beyoglu Pera Sineması. 06, 10 – 20, 10 2009. Funder, designates Survivalism as a notion that needs to be considered for the contemporary, historical and social conditions. He traces Survivalism in the thought of disaster visible in many ways such as the discourse of the end of the world, terrorism, climate change and the global financial crisis. Soren Thilo Funder “SURVIVALISM” @ Beyoglu Pera S.
masaproject.blogspot.com
MASA: Cevdet Erek “Ankara Modern, Sketches for a set of nesting tables and rhythms”
http://masaproject.blogspot.com/2009/12/cevdet-erek-uses-masas-structure-to.html
Cevdet Erek “Ankara Modern, Sketches for a set of nesting tables and rhythms”. Cevdet Erek uses Masa’s structure to create a set of other “masa”s which could be used as additional exhibiting platforms while the idea of "zigon"s is adapted to the very typical dance beat from Ankara. All sketches of a possible production of the idea are being shown in Masa. Cevdet Erek was born 1974 in Istanbul. He studied on Sound Engineering and Design and architect at MSU and ITU. He lives and works in Istanbul.
masaproject.blogspot.com
MASA: Yasemin Nur Toksoy, Holy Crap, 11-25 February 2011, Atatürk Kitaplığı
http://masaproject.blogspot.com/2011/05/yasemin-nur-toksoy-holy-crap-11-25.html
Yasemin Nur Toksoy, Holy Crap, 11-25 February 2011, Atatürk Kitaplığı. He died just after this photograph was taken. This newspaper clipping is the document of that incident. It is about being there at that moment. When we see it the scene and the date are already changed. In this scrap book, called “Holy Crap”, newspaper clippings are cut out and picked from their places, newspapers, dates. As parts and evidences of witnessed affairs they are holy scraps.
