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WHY THIS TIME FRAME? People involved in the arts in. During the 1950s and '60s continue to look back to that period as being unique and special. Easel artists, sculptors, commercial artists, photographers, musicians, composers, singers, dancers, models, writers, actors, directors, behind-the-scenes people, and friends all came together in a way often described as magical. This is a project to document this special time in. Strives to make sure this. Experience is not lost to the national context.

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CONTACTS AT LEFTBANKOFOMAHA.ORG

ernest lee

gary lammers

Box●●●067

da●●on , Ohio, 45433

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1.93●●●●0765
la●●●●●●@yahoo.com

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ernest lee

gary lammers

Box●●●067

da●●on , Ohio, 45433

US

1.93●●●●0765
la●●●●●●@yahoo.com

View this contact

ernest lee

gary lammers

Box●●●067

da●●on , Ohio, 45433

US

1.93●●●●0765
la●●●●●●@yahoo.com

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Untitled Document | leftbankofomaha.org Reviews
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WHY THIS TIME FRAME? People involved in the arts in. During the 1950s and '60s continue to look back to that period as being unique and special. Easel artists, sculptors, commercial artists, photographers, musicians, composers, singers, dancers, models, writers, actors, directors, behind-the-scenes people, and friends all came together in a way often described as magical. This is a project to document this special time in. Strives to make sure this. Experience is not lost to the national context.
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Untitled Document | leftbankofomaha.org Reviews

https://leftbankofomaha.org

WHY THIS TIME FRAME? People involved in the arts in. During the 1950s and '60s continue to look back to that period as being unique and special. Easel artists, sculptors, commercial artists, photographers, musicians, composers, singers, dancers, models, writers, actors, directors, behind-the-scenes people, and friends all came together in a way often described as magical. This is a project to document this special time in. Strives to make sure this. Experience is not lost to the national context.

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leftbankofomaha.org leftbankofomaha.org
1

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http://www.leftbankofomaha.org/years.htm

Of Omaha Oral History Project examines a twenty year period - from 1951 through 1970. While the Associated Artists of Omaha formed in the late 1940's and the. Tuesday Musicals, the Omaha Community Playhouse and other creative venues even earlier, this project. Focuses on the two decades wherein cultural institutions, businesses and individuals were. Entwined in a celebration of the arts. The Left Bank of. Is an expansive project and we beg your patience as we. Beaux Arts Ball May 17 at Hotel Fontenelle.

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Untitled Document

http://www.leftbankofomaha.org/index.htm

WHY THIS TIME FRAME? People involved in the arts in. During the 1950s and '60s continue to look back to that period as being unique and special. Easel artists, sculptors, commercial artists, photographers, musicians, composers, singers, dancers, models, writers, actors, directors, behind-the-scenes people, and friends all came together in a way often described as magical. This is a project to document this special time in. Strives to make sure this. Experience is not lost to the national context.

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http://www.leftbankofomaha.org/projectordirector.htm

Victoria Haas is an oral historian based in the. Area and principal of TapeScripts. An oral history consulting firm. She has worked in this arena for over 30 years, starting in transcription and expanding to conducting workshops on methodology, interviewing, and working on numerous projects resulting in books. She served as Chair of the Chicago Oral History Roundtable for eight years, where she continues to be an active member. Brings experienced professionals in every aspect of oral history to a project:.

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Untitled Document

http://www.leftbankofomaha.org/project.htm

Descriptions of the interaction, stimulation and creativity of this period call up images of the left bank of Paris in the '20s rather than. In the '50s and '60s. This project is identifying the people involved and documenting in what ways the. Arts community of the '50s and '60s was unique and special then and to examine the legacy left by this era for the. Community of today and the future. How can you be part of this? Contact us to share. Your stories, your knowledge. Conduct research on- and off-line.

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http://www.leftbankofomaha.org/sponsors.htm

We extend our thanks to all our supporters - whether sharing your stories, letting us pour through your scrap books, or providing much needed financial donations, and especially The Bemis Center for Contemporary Arts for permitting the project to live under its umbrella. The Alan and Marcia Baer Foundation. Of Northeastern Illinois University. The Nebraska Humanities Council. The Robert and Suzie Storz.

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WHY THIS TIME FRAME? People involved in the arts in. During the 1950s and '60s continue to look back to that period as being unique and special. Easel artists, sculptors, commercial artists, photographers, musicians, composers, singers, dancers, models, writers, actors, directors, behind-the-scenes people, and friends all came together in a way often described as magical. This is a project to document this special time in. Strives to make sure this. Experience is not lost to the national context.

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