hscdramastudy.wordpress.com
OnStage & Assessment Samples | HSC Drama
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Criteria: Written Exam Rubrics. OnStage and Assessment Samples. Australian Drama and Theatre. Contemporary Australian Theatre: Ruby Moon and Stolen Workshops. WORKSHOP 6: Exploring the Power of the Abstract. OnStage and Assessment Samples. OnStage 2004 – samples of the following:. Written Examination and Group Performance. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
greektheatrestudy.wordpress.com
Introduction | Greek Theatre
https://greektheatrestudy.wordpress.com/2010/04/27/hello-world
April 27, 2010. Complete logbooks by leaving a comment that answers the guided question. When you sign-up to wordpress your user name should be: the first letter of your first name, and then your full last name for your logbook entries eg: jsmith. This entry was posted in Uncategorized. April 27, 2010 at 10:37 pm. Hi, this is a comment. To delete a comment, just log in, and view the posts’ comments, there you will have the option to edit or delete them. Leave a Reply Cancel reply. Enter your comment here.
preliminarydrama.wordpress.com
October | 2010 | Preliminary Drama Course
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Archive for October, 2010. On October 13, 2010 by jboshell. Improvisation, Playbuilding, Acting. Elements of Production in Performance. Theatrical Traditions and Performance Styles. There will be three to five assessment tasks comprising the following components and weightings. The assessment program must include workshop/practical activities to the value of 60%. Elements of Production in Performance. Improvisation, Playbuilding, Acting. Theatrical Traditions and Performance Styles.
narrativestofilm.wordpress.com
Introduction | The Horse in Motion 1878
https://narrativestofilm.wordpress.com/2010/05/05/hello-world
The Horse in Motion 1878. What is significant about ‘The Horse in Motion’? When we look at films, we need to consider the following:. Camera Shots and movements. Brainstorm all the things you know about film on the wallwisher. Start a terminology list, get this from your booklet – this will also be your SPELLING LIST. On May 5, 2010 at 4:55 am Comments Off on Introduction. COURSE ONE – Introduction. Lesson 6: Some Fun! Narratives – Extension work. COURSE TWO – Introduction. Lesson 1: Visual Techniques.
narrativestofilm.wordpress.com
COURSE ONE – Introduction | The Horse in Motion 1878
https://narrativestofilm.wordpress.com/course-1
The Horse in Motion 1878. COURSE ONE – Introduction. How do film techniques shape meaning? INTRODUCTION: The Narrative structure. A plot needs the following:. Watch the following clip and identify the elements of a narrative:. The story is set in ………………………. Choose a movie in pairs. Imagine you will present it in 60 seconds. Complete a table that identifies the films narrative elements. Of all the key words you associate with this topic. COURSE ONE – Introduction. Lesson 6: Some Fun!
preliminarydrama.wordpress.com
Physicality & Transformation | Preliminary Drama Course
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Jerzy Grotowski – Theatre of The Poor. Actors were to create whole worlds and characters using expressive skills. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.
yeatsstudy.wordpress.com
Workshopping Essays: Thesis Points | William Butler Yeats
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An Irish Airman Forsees His Death. Leda and the Swan. When You Are Old. Wild Swans at Coole. Workshopping Essays: Thesis Points. Workshopping Essays: Thesis Points. Some Interesting Points for Thesis /Topic Sentence construction:. Yeats’s thought was profoundly dialectical; for nearly every truth he made or found, he also embraced a counter-truth: a proposition that contradicted the first truth, was equally true, and did not negate it. Yeats sought to address the imagination in order to serve both countr...
narrativestofilm.wordpress.com
Lesson 2: Angles | The Horse in Motion 1878
https://narrativestofilm.wordpress.com/course-1/lesson-4-angles
The Horse in Motion 1878. These are important because they have an effect on what the viewer sees. This is when the. It looks up at the object or figure. The effect of this angle is to make the object or figure appear large and powerful, suggesting they have dominance. We, the viewer, look up to them. High angle is the opposite, the. This shots happens when the camera is at the same level as the figure or object. It is a normal ‘eye’ view. OVERSHOT – Bird’s Eye View. COURSE ONE – Introduction.
