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head on a stick

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. Camera as freedom (all-seeing eye/I), the car as independence, the accused is carrion feeding our justice system. Updated in italics 4 March 2018. Making of a Murder. He camera is a stealth, all-seeing eye ( I. The family ...

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head on a stick | headonastick2.blogspot.com Reviews
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Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. Camera as freedom (all-seeing eye/I), the car as independence, the accused is carrion feeding our justice system. Updated in italics 4 March 2018. Making of a Murder. He camera is a stealth, all-seeing eye ( I. The family ...
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1 on netflix
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5 longing
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10 betrand tavernier
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head on a stick | headonastick2.blogspot.com Reviews

https://headonastick2.blogspot.com

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. Camera as freedom (all-seeing eye/I), the car as independence, the accused is carrion feeding our justice system. Updated in italics 4 March 2018. Making of a Murder. He camera is a stealth, all-seeing eye ( I. The family ...

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headonastick2.blogspot.com headonastick2.blogspot.com
1

head on a stick: Ozu's Early Spring, 1956: Life is ephemeral life

http://headonastick2.blogspot.com/2010/06/ozus-early-spring-1956-life-is.html

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. Ozu's Early Spring, 1956: Life is ephemeral life. 1956, mirrors at post-war industrialization, Western cultural influences, and the personal and universal oppression of the Japanese "salary man". Ozu's use of flatness refe...

2

head on a stick: November 2007

http://headonastick2.blogspot.com/2007_11_01_archive.html

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. 30 November: dreams about drawing. Today I received a flattened foxhead in the mail. It is an artist's submission for our drawing room call for art and exhibit, SPLIT, happening in December 2007 in Maine. Does a sacred cow...

3

head on a stick: Bertrand Tavernier, Coup de Torchon: Taking out the trash

http://headonastick2.blogspot.com/2010/06/bertrand-tavernier-coup-de-torchon.html

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. Bertrand Tavernier, Coup de Torchon: Taking out the trash. Coup de Torchon, 1981. Tavernier sets Coup de Torchon adapted from Jim Thompson’s Pop. 1280. Posted by paperdoll @ 4:30 PM. Subscribe to Post Comments [ Atom.

4

head on a stick: more images from transforming body

http://headonastick2.blogspot.com/2013/09/more-images-from-transforming-body.html

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. More images from transforming body. These are images from the solo exhibit at the Winfisky gallery at salem State University, curated by Haig Demarjian in 2013. Posted by paperdoll @ 5:25 PM. Head on a stick.

5

head on a stick: erotics of film

http://headonastick2.blogspot.com/2010/04/erotics-of-film.html

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. What is our role as a viewer? In Anatomie D’Enfer , the lead subject of the film is a woman who challenges a man to watch me where I am unwatchable" and to " just say what you see . There are reversals and inversions o...

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head on a stick

Head on a stick. I am interested in experiences, thinking, and language (visual and literary), and how we create our identity though the things we reveal and conceal. I share my own categories of books, thoughts about personal readings, films, studio practice, and observations/musings. Camera as freedom (all-seeing eye/I), the car as independence, the accused is carrion feeding our justice system. Updated in italics 4 March 2018. Making of a Murder. He camera is a stealth, all-seeing eye ( I. The family ...

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