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Frames Cinema Journal

The Future of Horror. Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Innovation and Iteration: The Potential of Documentary. Issue 12, December 2017 Guest-edited by Noah Tsika. Letter from the Editors. By Sophie Hopmeier and Cassice Last.

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The Future of Horror. Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Innovation and Iteration: The Potential of Documentary. Issue 12, December 2017 Guest-edited by Noah Tsika. Letter from the Editors. By Sophie Hopmeier and Cassice Last.
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Frames Cinema Journal | framescinemajournal.com Reviews

https://framescinemajournal.com

The Future of Horror. Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Innovation and Iteration: The Potential of Documentary. Issue 12, December 2017 Guest-edited by Noah Tsika. Letter from the Editors. By Sophie Hopmeier and Cassice Last.

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About | Frames Cinema Journal

http://framescinemajournal.com/vision

Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Is a biannual online publication which aims to provide a space for cutting-edge research and lively discussion among scholars of film, media and screen studies. Each edition of.

2

The War Tapes and the Poetics of Affect of the Hollywood War Film Genre | Frames Cinema Journal

http://framescinemajournal.com/article/the-war-tapes-and-the-poetics-of-affect-of-the-hollywood-war-film-genre

Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. And the Poetics of Affect of the Hollywood War Film Genre. By Cilli Pogodda and Danny Gronmaier. The Valley of Elah. Paul Haggis, 2007),. Brian DePalma, 2007),. Kathryn Bigelow, 2008) or. This cor...

3

Argentine Documentaries on the Malvinas (Falklands) War: Between Testimony and Televisual Archive | Frames Cinema Journal

http://framescinemajournal.com/article/argentine-documentaries-on-the-malvinas-falklands-war-between-testimony-and-televisual-archive

Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Argentine Documentaries on the Malvinas (Falklands) War: Between Testimony and Televisual Archive. Los chicos de la guerra. Barely a year after the conflict ended, Jorge Denti, exiled in Mexico du...

4

Matricídio, or Queerness Explained to My Mother | Frames Cinema Journal

http://framescinemajournal.com/article/matricidio-or-queerness-explained-to-my-mother

Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Or Queerness Explained to My Mother. It is in this context that my film PhD thesis film,. Faggot, feminine, foreign. Me as filmmaking itself. These fields of knowledge and practice analysis an...

5

The Video Essay: The Future of Academic Film and Television Criticism? | Frames Cinema Journal

http://framescinemajournal.com/thevideoessay

Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. The Video Essay: The Future of Academic Film and Television Criticism? That the Internet has transformed film and television criticism ( 1. Except, of course, as always, through ekphrasis). (.

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About – Balkan Cultural Centre

https://balkanskikulturnikrug.wordpress.com/our-story

Balkanski Kulturni Krug / Balkan Cultural Centre. And jury member of the Best Critic Award at. Online film festival. Her recent contributions include articles and chapters in the edited volume. The Film Festival Yearbook 5: Archival Film Festivals. Divan Film Festival Symposium Papers. 2014, 2015),. East European Film Bulletin. The Film Festival Yearbook 4: Films Festival and Activism (2014). New Romanian Cinema: An Anthology. Readings of the Romanian New Wave. Psychi Vathia/A Soul so Deep. 2) organisati...

roymenarini.com roymenarini.com

Periscopio cinefilo: riviste a go-go – ROY MENARINI

https://roymenarini.com/2015/06/08/periscopio-cinefilo-riviste-a-go-go

Cinefilia, ricerca, visioni. Periscopio cinefilo: riviste a go-go. L’aggiornamento di questa nuova puntata del Periscopio Cinefilo riguarda soprattutto le riviste online (in fondo il nostro cavallo di battaglia; ci fa piacere talvolta scrivere anche di riviste a pagamento, ma abbiamo un debole per l’open access):. Esce (e lo segnaliamo con gioia) il primo numero di Series. Uscito free su web il nuovo numero di [In] Transition. Un crossover teorico di eccezionale interesse. Con un monografico dal titolo.

fredrikonfilm.blogspot.com fredrikonfilm.blogspot.com

Fredrik on Film: Emotional shocks

http://fredrikonfilm.blogspot.com/2015/07/emotional-shocks.html

Friday, 3 July 2015. In The Young Girls of Rochefort. Jacques Demy 1967), a young man is looking all over town for the woman of his dreams. In one scene he is in a café when she approaches it, and it would seem that they will finally meet. But as she walks in through one door he walks out through another door. Once when I saw the film in a cinema somebody in the audience could be heard screaming "No! Wyler 1936), The Heiress. Wyler 1949), Mother. Naruse 1952), Yearning. Naruse 1964), Sawdust and Tinsel.

fredrikonfilm.blogspot.com fredrikonfilm.blogspot.com

Fredrik on Film: The Man Who Shot Liberty Valance (1962)

http://fredrikonfilm.blogspot.com/2015/07/the-man-who-shot-liberty-valance-1962.html

Friday, 31 July 2015. The Man Who Shot Liberty Valance (1962). The most famous line from The Man Who Shot Liberty Valance. Is one of the films which directly deals with this. The railroad changes everything. In a later scene the senator says to a couple of reporters that they are young, they do not remember the old days before the railroad. It is a reminder that John Ford's breakthrough was The Iron Horse. The Man Who Shot Liberty Valance. De la démocratie en Amérique. I have seen The Man Who Shot Libert...

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Fredrik on Film: June 2015

http://fredrikonfilm.blogspot.com/2015_06_01_archive.html

Friday, 19 June 2015. Before the 1960s only six women had made feature films in Sweden. Anna Hofman-Uddgren was the first, she made a handful of films 1911-1912 (and only one remains today, based on August Strindberg's play Fadren. 1948) and in the 1950s Mimi Pollak and Barbara Boman directed one film each, Rätten att älska. 1956) and Det är aldrig för sent. 1958) It then took another six years before Mai Zetterling, made her first film in 1964. That was Loving Couples. Driver dagg faller regn. Gustaf Ed...

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Publication

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Lsquo;Every Frame Counts: Creative Practice and Gender in Direct Animation’, download written element and practice component from Plymouth University research repository: http:/ hdl.handle.net/10026.1/4309. 2016 With Roberta Mock and Ruth Way ‘Heaven is a Place: The politics and poetics of LGB and T location in a community dance film’ [chapter] in Sarita Malik, Caroline Chapain and Roberta Comunian (eds.). Community Filmmaking: Diversity, Innovation, Policy and Practice. Journal Articles and Essays.

media.uea.ac.uk media.uea.ac.uk

media@uea | people - UEA

http://media.uea.ac.uk/people

BA Society, Culture and Media. LLM Media Law, Policy and Practice. MA Media and International Development. MA Media and Cultural Politics. MA Media, Society and Culture. The following pages outline the brief research interests within the media@uea research group. Further details can be found by clicking on the see full people page link. See full people page. See full people page. Peter Bloore is the first Senior Lecturer in Creativity at UEA, and teaches on the scriptwriting strand of the MA in Creative ...

mohitpatil.wordpress.com mohitpatil.wordpress.com

November | 2015 | Operation Kino

https://mohitpatil.wordpress.com/2015/11

Monthly Archives: November 2015. Prem Ratan Dhan Payo (Sooraj Barjatya, India, 2015). November 12, 2015. It should come as no surprise that Prem Ratan Dhan Payo endlessly parades retrograde ideals it is after all Sooraj Barjatya’s yet another loving ode to the big fat Indian family and traditions but what he manages here … Continue reading →. Visaranai (Vetrimaaran, India, 2015). Dilwale (Rohit Shetty, India, 2015). Angry Indian Goddesses (Pan Nalin, India, 2015). Short film: Arrival (Mani Kaul). Those m...

mohitpatil.wordpress.com mohitpatil.wordpress.com

Dilwale (Rohit Shetty, India, 2015) | Operation Kino

https://mohitpatil.wordpress.com/2015/12/18/dilwale-rohit-shetty-india-2015

Angry Indian Goddesses (Pan Nalin, India, 2015). Visaranai (Vetrimaaran, India, 2015) →. Dilwale (Rohit Shetty, India, 2015). December 18, 2015. Unlike most folks I know, I think Rohit Shetty is occasionally capable of inspired silliness. In. For example, he didn’t merely stop at the fact that he’s remaking Hrishikesh Mukherjee’s. He has one character in his film watch a scene from. At least on paper,. But Shetty does absolutely nothing with the idea. Shetty’s fascination with cars is also common kno...

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Frames Cinema Journal

The Future of Horror. Going Viral: The Changing Faces of (Inter)Media Culture. Conflicting Images, Contested Realities. MondoPop: Rethinking Genre Beyond Hollywood. Commies and Indians: The Political Western beyond Cold War Frontiers. Film and Moving Image Studies: Re-Born Digital? Skip to primary content. Skip to secondary content. Innovation and Iteration: The Potential of Documentary. Issue 12, December 2017 Guest-edited by Noah Tsika. Letter from the Editors. By Sophie Hopmeier and Cassice Last.

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Frames is a collection. An experiment in storytelling through the collabortion of design and literature. Each edition explores the symbiotic relationship between written word, visual design, and the experience they create. Working together, designer and writer craft a new and unique story to tell and construct the frame to show it. Write a frames story? Write a frames story?

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