peskypapercuts.blogspot.com
Papercuts: How To Talk About Books You Haven't Read
http://peskypapercuts.blogspot.com/2010/08/how-to-talk-about-books-you-havent-read.html
Wednesday, August 11, 2010. How To Talk About Books You Haven't Read. Pierre Bayard’s article conjured up a traumatic childhood memory of mine: during a systematic interrogation of her pupil’s reading habits, my year-five teacher reduced me to tears with the question “how often do. This is exactly the kind of social dilemma described in Bayard’s book. How To Talk About Books You Haven’t Read. What Maisie Knew*,. And the act of reading is divorced from any sense of personal benefit and motivated entirely ...
victoriai.wordpress.com
Geography Matters | Victoriai's Blog
https://victoriai.wordpress.com/2010/10/05/geography-matters
Just another WordPress.com site. The Death of The Author. 8216;Against Readings’ →. October 5, 2010. Victoria - The Literary in Theory. Setting, Place and Space. Running south because the Deep South was slave country (165), but the idea that places inhabit people, rather than just people inhabiting places (166). Geography in literature, Foster notes, is about the internal, not just the external in a novel or poetry. In David Malouf’s. In Australian literature, geography, place and the poetics of space of...
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The Death of The Author | Victoriai's Blog
https://victoriai.wordpress.com/2010/10/02/the-death-of-the-author-2
Just another WordPress.com site. Value in Donna Tartt’s ‘The Secret History’. Geography Matters →. The Death of The Author. October 2, 2010. Victoria - The Literary in Theory. The Death of the Author. Barthes removes the figure of the author from the. Of the text. Here he post-structurally challenges origins and replaces the author with the modern scriptor who is born simultaneously with the text . The text thus becomes a multi-dimensional space , bringing to mind Bakhtin’s. Un coup de dés. Un coup de dés.
msim6380.wordpress.com
The Literary In Theory | ENGL3655 | Page 2
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The Literary In Theory. The distant object of desire. Another quick post-seminar-post, just to break down the things I thought useful in some sense from Friday’s seminar – I’ll make one of those ‘academic confessions’ that I haven’t finished. Is that really possible? Cf the opening to. All of this seems to be very available to Lacan, theories of gaze, phallic formation, and so on – according to my notes, Georgio Agamben and the concept of anaphora, though I can’t say why now. Perhaps later. I wasn’...
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‘Against Readings’ | Victoriai's Blog
https://victoriai.wordpress.com/2010/10/10/against-readings
Just another WordPress.com site. 8216;Against Readings’. October 10, 2010. Victoria - The Literary in Theory. It seems that in many cases, this imposition of a reading gets in the way of ‘getting to know’ the text and subsequently the critical analysis of a text, especially when an irrelevant reading frames it. This entry was posted in Uncategorized. 8216;Against Readings’. October 10, 2010 at 7:05 am. October 10, 2010 at 11:24 am. October 11, 2010 at 1:38 am. Leave a Reply Cancel reply. You are commenti...
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Value in Donna Tartt’s ‘The Secret History’ | Victoriai's Blog
https://victoriai.wordpress.com/2010/10/01/value-in-donna-tartt’s-the-secret-history
Just another WordPress.com site. The Death of The Author →. Value in Donna Tartt’s ‘The Secret History’. October 1, 2010. Victoria - The Literary in Theory. The Test of Time and Value. Test of time arguments were at the basis of eighteenth-century discourses of value within the area of aesthetics and, in. In which it is evident that the ‘test of time’ argument for value, in this case for example, the study of classics, the wearing of a. Smith notes: when we judge the value of a work, we usually conceive ...
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the axis of opposition is fundamental | The Literary In Theory
https://msim6380.wordpress.com/2010/08/20/the-axis-of-opposition-is-fundamental
The Literary In Theory. The axis of opposition is fundamental. We travelled low over the country of Felski, Edmundson and Warner (which sounds like a law firm), more or less hovering over ‘the author’ and the viability of various reading/analytic strategies. Fun conclusions, regarding the author: although there definitely is a physical author,. Also regarding reading strategies: Edmundson’s railing against ‘readings’ is useful inasmuch as it is a warning against. August 20, 2010. Enter your comment here.
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About | The Literary In Theory
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The Literary In Theory. FRANCO MORETTI – maps, graphs, trees: abstract models for a literary history. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.
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the root of its divergences and travesties | The Literary In Theory
https://msim6380.wordpress.com/2010/08/27/the-root-of-its-divergences-and-travesties
The Literary In Theory. The root of its divergences and travesties. August 27, 2010. Laquo; forbidden the reassurance of the definitive image. The author’s property is in his thought ». Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. The kind of love I’m talking about.
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the author’s property is in his thought | The Literary In Theory
https://msim6380.wordpress.com/2010/08/31/the-authors-property-is-in-his-thought
The Literary In Theory. The author’s property is in his thought. But in the last three years or so, I started hanging out with writers, attending workshops, etc. much more regularly, and encountered the very weird move, which I can only describe as the “Was this what you really. Down like a mountain. In that lino desert, did. You feel spread along. The floors and the beige. Closed my mouth and. Dulled every inch of me,. And i don’t know if you. Were there with me or. Watching from a table,. And it begins...
