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The Electronic Labyrinth is a study of the implications of hypertext for creative writers looking to move beyond traditional notions of linearity.

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The Electronic Labyrinth is a study of the implications of hypertext for creative writers looking to move beyond traditional notions of linearity.
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The Electronic Labyrinth is a study of the implications of hypertext for creative writers looking to move beyond traditional notions of linearity.

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1

Defining Postmodernism

https://elab.eserver.org/hfl0242.html

In the interest of providing some sense of the range of the debate surrounding postmodernism, a debate which is central to much current thinking on hypertext, here is a definition provided by James Morley. It appears here as it was posted on the Postmodern Culture. Approach to construction that combines several traditional styles into one structure. As collage, meaning is found in combinations of already. 1993-2000 Christopher Keep, Tim McLaughlin, Robin Parmar.

2

Death of the Author

https://elab.eserver.org/hfl0226.html

Death of the Author. T]he writer can only imitate a gesture that is always anterior, never original. His only power is to mix writings [.] in such a way as never to rest on any one of them" (146). Thus the author cannot claim any absolute authority over his or her text because, in some ways, he or she did not write it. This is not to say that someone named Margaret Atwood did not spend many months toiling away at book called Lady Oracle. S]torytelling and narrative lie at the heart of all successful comm...

3

Pale Fire

https://elab.eserver.org/hfl0244.html

Reality is neither the subject nor the object of true art which creates its own special reality having nothing to do with the average "reality" perceived by the communal eye. Vladimir Nabokov, Pale Fire. Vladimir Nabokov's 1962 novel, Pale Fire. Is widely considered a forerunner of postmodernism. And a prime example of the literature of exhaustion. Critics have spilled no small amount of ink trying to figure who is the true author. Of this text, which of these layers of story-telling is the real and whic...

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November 2013 – Tim's World of Web

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Tim's World of Web. My journey in Web Science. MSc Web Science – Week 6. Hearsay: A New Way to Acquire Categories/Cangelosi and Harnad, 2002. On Wednesday Cognitive Scientist Professor Stevan Harnad. I have no idea if this would work, but it may be worth investigating further. The theme for this week is “falling behind” (my excuse: having to work as well as do a full time course). One of our Public Engagement Lecture and 6th form student computing teaching activity team drop out of the course this week, ...

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Collections — About the EServer

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How the EServer Is Different. What the EServer Publishes. Who Are Our Members. What the EServer Publishes. Last edited 6 years. Like a library or museum, the EServer. Calls the websites it publishes "collections.". Is a sort of online publishing house, which hosts 48 discrete websites published by disparate editors. Each of these websites is called a "collection" (along the lines of a library or museum collection), rather than discrete websites- they're all part of the EServer.

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Is a study of the implications of hypertext for creative writers looking to move beyond traditional notions of linearity. Our project evaluates hypertext and its potential for use by literary artists in three ways:. Pavic's Dictionary of the Khazars. And Sterne's Tristram Shandy. By investigating literary works created specifically for computerized hypertext. These include Joyce's Afternoon, A Story. McDaid's Uncle Buddy's Phantom Funhouse. A comprehensive master list. Presents the results of a research ...

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e-Lab : Cursos en línea: Entrar al sitio

Usted no se ha autentificado. Curso SCORM Intermedio B. Diseño Instruccional con SCORM. Español - Internacional (es). Entre aquí usando su nombre de usuario y contraseña. Las 'Cookies' deben estar habilitadas en su navegador). Algunos cursos permiten el acceso de invitados. Olvidó su nombre de usuario o contraseña? Acceda a su curso con el nombre de usuario y contraseña que le fue proporcionada. Si tiene alguna dificultad comuníquese con nosotros:. 52 (55) 5020 6500 ext. 2701. 01 800 63 80 828.

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