tkeensdee.blogspot.com
For the Goat: September 2009
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Tuesday, September 29, 2009. The use and integration of sailor's prop (the cane) analyzed. Labels: the sailor dance. Wednesday, September 23, 2009. Ignasi de Solà -Morales writes in Differences: Topographies of Contemporary Architecture :. Architecture is not a tree but an event, resulting from the intersection of forces capable of situating an object that is partially signifying, contingent." (p.16). Monday, September 21, 2009. You want to be able to see the music dancing! Subscribe to: Posts (Atom).
tkeensdee.blogspot.com
For the Goat: October 2009
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Thursday, October 29, 2009. The carnival mentality seriously, solemnly dedicates itself to the concept of waste, ephemera, of built-in obsolescence, but this is not the built-in obsolescence of manufacture but of art, because in Carnival the creative energy is strictly regulated to its own season. Last year’s intricate sculptures are discarded as immediately valueless when it is midnight on Shrove Tuesday …". Pg 55 Critcial Perspectives on Derek Walcott by Robert D. Hameer. You ‘fraid de devil? An’...
tkeensdee.blogspot.com
For the Goat: December 2009
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Monday, December 7, 2009. Jumbie, Jumbie dey. outta body back to yuhself! Dip in the center do the jumbie dance, lean back and reverse do the jumbie dance .". An Old Jewish Story. More hard times came and another generation was excluded from the ritual. Somebody remembered that in the old days their ancestors had gone into the forest and done something, so the rabbi and the people went out into the forest and made up a ritual. And it was sufficient. And then there were more hard times, and all that was l...
tkeensdee.blogspot.com
For the Goat: LUCY AND BART ART
http://tkeensdee.blogspot.com/2010/06/lucy-and-bart-art.html
Thursday, June 3, 2010. LUCY AND BART ART. Subscribe to: Post Comments (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. Salad: Cross-referencing seasonal schedules as inspiration. I just want to take pictures. LUCY AND BART ART. LOOK but dont TOUCH. View my complete profile.
tkeensdee.blogspot.com
For the Goat: July 2010
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Wednesday, July 14, 2010. Slowly coming together - disguise. The four designs are based on 4 themes of what happens to the body when it dons a costume. These themes are stylized, distorted, disguised and inversed. The origami dress posted previously is the stylized version of the female in carnival and the traditional dragon costume. The rope costume is a distorted and exaggerated version of the female body and form. This one is the 3rd costume 'disguise'. Subscribe to: Posts (Atom). 1000 Hours of Drawing.
tkeensdee.blogspot.com
For the Goat: June 2010
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Tuesday, June 15, 2010. Plaster body form contoured with 200 yards of white nylon rope. Thursday, June 3, 2010. LUCY AND BART ART. Tuesday, June 1, 2010. LOOK but don't TOUCH. Completed origami 'threat' paper costume. Look but don't Touch '. Inspired by traditional threat/ dominant costumes and the female role in today's carnival. Subscribe to: Posts (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. I just want to take pictures. LUCY AND BART ART.
tkeensdee.blogspot.com
For the Goat: LOOK but don't TOUCH
http://tkeensdee.blogspot.com/2010/06/look-but-dont-touch.html
Tuesday, June 1, 2010. LOOK but don't TOUCH. Completed origami 'threat' paper costume. Look but don't Touch '. Inspired by traditional threat/ dominant costumes and the female role in today's carnival. Subscribe to: Post Comments (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. Salad: Cross-referencing seasonal schedules as inspiration. I just want to take pictures. LUCY AND BART ART. LOOK but dont TOUCH. View my complete profile.
tkeensdee.blogspot.com
For the Goat: May 2010
http://tkeensdee.blogspot.com/2010_05_01_archive.html
Friday, May 28, 2010. Architecture, space, body , costume. Pg 104 , 'The Hidden Dimension', Edward T. Hall ). This is exactly what the costume does for the body. Within carnival the body carries the architecture instead of being contained by it. Like the facade,the costume acts as a mask allowing the wearer to loose all inhibitions and in doing so, reveal his or her deepest wants or desires. Pg 198 - 199 Ingraham, Catherine. Architecture, Animal, Human: The Asymmetrical Condition'). Monday, May 24, 2010.
wacblogs.blogspot.com
WAC blogs: 10.09
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A collection of Waterloo Architecture in Cambridge master's students' blogs. Constructing Identity: arousing curiosity and generating imagination in occupied space. This thesis will bring into awareness the space that is maintained between an individual and his fellows in hope to increase self identity, intensify experience and decrease alienation. In a word, to take a small step along the road of self knowledge to help introduce man to himself" Edward Hall. Subscribe to: Posts (Atom). THESIS ACCEPTED, N...
