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LizGibson_DeformanceArt

Liz Gibson is a Deformance Artist working in painting, sculpture, collage, video, installation, performance, singing and storytelling. Her art has been presented and exhibited in galleries, colleges and museums including performances at the Museum of Contemporary Art, Jacksonville, the Jepson Center at the Telfair Museum in Savannah and the Ringling Museum of Art. She received three major artist grants in the last year including the 2014 Florida Individual Artist Fellowship. Performances and Static Art.

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LizGibson_DeformanceArt | deformanceart.com Reviews

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Liz Gibson is a Deformance Artist working in painting, sculpture, collage, video, installation, performance, singing and storytelling. Her art has been presented and exhibited in galleries, colleges and museums including performances at the Museum of Contemporary Art, Jacksonville, the Jepson Center at the Telfair Museum in Savannah and the Ringling Museum of Art. She received three major artist grants in the last year including the 2014 Florida Individual Artist Fellowship. Performances and Static Art.

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LizGibson_DeformanceArt | deformanceart.com Reviews

https://deformanceart.com

Liz Gibson is a Deformance Artist working in painting, sculpture, collage, video, installation, performance, singing and storytelling. Her art has been presented and exhibited in galleries, colleges and museums including performances at the Museum of Contemporary Art, Jacksonville, the Jepson Center at the Telfair Museum in Savannah and the Ringling Museum of Art. She received three major artist grants in the last year including the 2014 Florida Individual Artist Fellowship. Performances and Static Art.

INTERNAL PAGES

deformanceart.com

1

The Transformation of the 3 Legged Fox

http://www.deformanceart.com/Artworks_Pages/Transformation_of_3_Legged_Fox.html

The Transformation of 3 Legged Fox, mixed media on wood, 24 x 48, 2014. Side view shows the reflective quality of the collage elements. Detail view of The Transformation of 3 Legged Fox. RETURN TO ARTWORKS PAGE.

2

2 Finger Turkeys

http://www.deformanceart.com/Liz_Gibson_Deformances/2_Finger_Turkeys.html

Ldquo;Two-Fingered Turkey”. Performance/Installation, MetaCusp Studios Gallery, Jacksonville, Florida, 2012. This performance was inspired by my childhood experiences of making Thanksgiving turkey hand art, playing musical instruments, and shaking hands; all things that I had difficulty adapting to as a child. The gallery installation that accompanied the performance consisted of one-hundred and eleven, hand drawn, two-fingered turkey images installed as a grid. Folio Weekly, November 2012.

3

Maquis Sha De's Hypnotic Stun Gun Orchestra

http://www.deformanceart.com/Maquis_Sha_De's_Hypnotic_Stun_Gun_Orchestra.html

Maquis Sha De's Hypnotic Stun Gun Orchestra deformed at the Jacksonville Landing main stage for the One Spark Festival in April, 2013. The deformance included rotoreliefs with designs inspired by Marcel Duchamp and stun guns exploding balloons.

4

Learning 2 Tie

http://www.deformanceart.com/Learning%202%20Tie/Learning2Tie.html

Learning 2 Tie by Liz Gibson. 7 minutes 42 seconds. Flash video may not work on all systems.). Learning 2 Tie , mixed media, 12 x 9, 2011. This hand shape that is cut in two and laced with shoe strings originated in the performance Learning 2 Tie. GO TO ARTWORKS PAGE.

5

Liz Gibson Old City Life Magazine

http://www.deformanceart.com/Liz_Gibson_Old-City-Life-Magazine.html

Old City Life Magazine, June 2015.

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December 2013 – FloridaMining

https://floridamining.wordpress.com/2013/12

December 7, 2013. January 27, 2016. Is a multimedia video and photography installation by Cuban artist Kedgar Volta. Inspired by the vacancy of the urban environments he found when he moved to Jacksonville Florida from his home in Havana, he used his artwork to underscore the absence of people by repurposing ghostly images of the population of other places to Jacksonville’s downtown. When you build a building, you want people to actually be in that buildingThere were a lot of places that were man made th...

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Sou impreciso. Amorfo. Resto de Caos. E não ousaria expressar outras faces do gesto presas ao olhar, porque minha medida jamais seria a linearidade de um container volumoso. Criações são como fagulhas tentando ser. Mais que expressar, meus versos compreendem o mundo na noção de palavra gritada, tiro no vácuo. Místico? Cada um come o pão que tem. E-MAIL: daniliteratura@gmail.com. Segunda-feira, 16 de junho de 2014. Já faz a sua Ação Pó/ética hoje? Quarta-feira, 21 de maio de 2014. O FOGO é um Ser VIVO.

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LizGibson_DeformanceArt

Liz Gibson is a Deformance Artist working in painting, sculpture, collage, video, installation, performance, singing and storytelling. Her art has been presented and exhibited in galleries, colleges and museums including performances at the Museum of Contemporary Art, Jacksonville, the Jepson Center at the Telfair Museum in Savannah and the Ringling Museum of Art. She received three major artist grants in the last year including the 2014 Florida Individual Artist Fellowship. Performances and Static Art.

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Domingo, 27 de septiembre de 2015. Miércoles, 12 de octubre de 2011. Sábado, 21 de abril de 2007. Recital para toro mecánico. EL/La performance se desarrolla en torno a un toro mecánico a modo de recital poético. El performer recitará, sustituyendo en el micrófono al animador, un total de ocho poemas inéditos, en algunos de los cuales, interactuará con algún tipo de colaborador que entrará en pista. Los mejores momentos de tu vida versión karaoke. Una performance de Alex Peña y Manuel Prados Sánchez.

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Miércoles, 26 de octubre de 2011. Ciclo de performance - Patricia Curzio. Vocalista experimental “Dance Spirit”. Enviar por correo electrónico. Ciclo de performance - Patricia Curzio. Vocalista experimental “Conejin”. Enviar por correo electrónico. Ciclo de performance - Patricia Curzio. Vocalista experimental “La Reina de la Noche”. Enviar por correo electrónico. Ciclo de performance - Patricia Curzio. Vocalista experimental “Carmen”. Enviar por correo electrónico. Viernes, 15 de abril de 2011.

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