invisiblist.blogspot.com
invisiblist: April 2014
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Monday, 7 April 2014. Print of the day. The Man with the Magnetic Stare. Labels: Sketch of the day. Subscribe to: Posts (Atom). The Man with the Magnetic Stare. For further information contact info[at]invisiblist[dot]com © invisiblist 2015. Powered by Blogger.
invisiblist.blogspot.com
invisiblist: April 2015
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Sunday, 5 April 2015. Fun Gran coming at yaaa. Sketch of the day. Some ink weighing heavy on the mind. Sketch of the day. Subscribe to: Posts (Atom). Fun Gran coming at yaaa. Some ink weighing heavy on the mind. For further information contact info[at]invisiblist[dot]com © invisiblist 2015. Powered by Blogger.
invisiblist.blogspot.com
invisiblist: July 2014
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Monday, 14 July 2014. Sketch of the day. Sketch of the day. Friday, 11 July 2014. Sketch of the day. Wednesday, 2 July 2014. Labels: Sketch of the day. Girl/Home Bru Mark iii (at about 4 hours). Labels: Sketch of the day. Subscribe to: Posts (Atom). Girl/Home Bru Mark iii (at about 4 hours). For further information contact info[at]invisiblist[dot]com © invisiblist 2015. Powered by Blogger.
damienmintongallery.blogspot.com
Damien Minton Gallery: May 2013
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Wednesday, May 1, 2013. Adam Hill at the Marrambang Meeting. GOULBURN REGIONAL ART GALLERY. 2 – 25 MAY 2013. Goulburn was traditionally a Meeting Place for surrounding Aboriginal peoples. In this spirit, Adam Hill from Sydney, Peter Swain from Canberra and Perc Carter from Goulburn come together in an exhibition at the Goulburn Regional Art Gallery, NSW, of sculpture and 2D works including photography. BLAK DOUGLAS (AKA- ADAM HILL) 2013. Granted, It is indeed commendable that Goulburn HAS adopted ‘...
damienmintongallery.blogspot.com
Damien Minton Gallery: November 2012
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Tuesday, November 27, 2012. WELCOME TO THE NEW DARK AGES CUTTING THE VISUAL ARTS IN TAFE. Remarks by Damien Minton at the SAVE TAFE ART. Rally held at the Damien Minton Gallery 19 November 2012. To witness a living, breathing 120 year old institution like the Newcastle Art School being kneecapped by the O’Farrell government is a scandal. At the turn of the 19. Century there was real pride in using a visual language to inform, define and articulate community and society. The O’Farrell decision to st...
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Damien Minton Gallery: October 2012
http://damienmintongallery.blogspot.com/2012_10_01_archive.html
Tuesday, October 9, 2012. LOTTIE CONSALVO: STEER A STEADY SHIP. Last Saturday's performance by Lottie Consalvo, 'Steer a Steady Ship', has created a lot of online media interest. Consalvo endured seven hours of consistent and persistent drops of black dye falling on her face. The international online visual art site, ArtInfo, had her on their front page. Our local Sydney Morning Herald ran a piece on the day and SBS World News Australia Online presented some coverage as well, read and see it here. I thin...
damienmintongallery.blogspot.com
Damien Minton Gallery: GRACELAND A GROUP EXHIBITION
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Friday, August 16, 2013. GRACELAND A GROUP EXHIBITION. 4 - 24 AUGUST 2013. The Damien Minton Gallery has invited a group of artists to respond to the recently completed major work by Sydney artist, Martin Sharp:. 8216;Graceland: A Reprise of Giorgio de Chirico’s Song of Love’. Graceland appropriates the surrealist classic and features the Apollo bust as Elvis. Graceland' at the Damien Minton Gallery. 8220;The King’s King of Kings”. The painting by Martin Sharp will be on public display for the first ti...
damienmintongallery.blogspot.com
Damien Minton Gallery: June 2012
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Wednesday, June 20, 2012. Ross Laurie gets the thumbs up. again! Ross Laurie, From Ochre Hut - Fowlers Gap IV, 2011, oil on board, 590 x 590 mm. Art critic John McDonald, in reviewing the exhibition 'Not the Way Home: 13 Artists Paint the Desert' at the S.H Ervin Gallery, has written:. The standout performer is Ross Laurie, who has produced an impressive variety of images, from small charcoal sketches to densely worked studies in oil stick, to large oils on canvas. Ridge and Creek, Fowlers Gap I. Jon Fru...
damienmintongallery.blogspot.com
Damien Minton Gallery: February 2014
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Tuesday, February 25, 2014. Saturday 8 March 2014. The radicality of garbage. Essay by Yellam Nre. Curator, writer, academic, theorist. Gilles Deleuze, Anti-Oedipus: Capitalism and Schizophrenia, 42. An abandoned mattress. A bent bicycle wheel adjacent to a broken lampshade propped against a garage roller door. A pair of seatless chairs locked together in a grim embrace. These are the theoretical objects which define our epoch. Deleuze’s partial objects are our totality. Subscribe to: Posts (Atom).
