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Ventura Dance Company

https://www.ventura-dance.com/works/corporis

The AL-5766 units are a day along, four motes of life with identical genetic codes busily dividing in the dark of the wombs. The EU-4651s, males, have identical start; and there are the usual ten units left in the genebank.". C.J. Cherryh. Dance-Media Performance for Six Dancers. Artistic Direction and Choreography. MRenkel, G. Leiras. Premiere: Tanzhaus Wasserwerk Zürich, Switzerland. 20th September 2003. Co-Production: Teatro Cuyás, Las Palmas, Spain. In Memoriam Nina Fonaroff (†2003). By artificially ...

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Ventura Dance Company

https://www.ventura-dance.com/works/zone

And we can no longer accept death: we transfer our allegiance from an art which seeks inmortalilty through the residue of the artwork-as-object to an art which join forces with the poets and visionaries of advanced robotics, artificial life, nanotechnology and born-again bionics". Tomas Petzold/Dresdner Neuste Nachrichten. Dance-Media Performance for 6 dancers and Robot. Artistic Direction and Choreography. Robot/Artists Concept and Technology. Michael Renkel, Gaston Leiras. Zone Kritik Dresden.pdf.

ventura-dance.com

Ventura Dance Company

https://www.ventura-dance.com/about

Receives his dance education at the London Contemporary Dance School where he graduated in 1985. A disciple among others of Nina Fonaroff, Jane Dudley and Bill Louther, he starts to perform as a dancer and soon makes his debut as a choreographer. In 1999 he receives the “City of Zurich Dance Award” for his work in the field of dance and new media. In the year 2000 CYNETart-festival of Dresden awards him a prize for his full evening work “MADGOD 2.001”, and in 2001, Pablo V...In 2002 Pablo Ventura receive...

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Ventura Dance Company

https://www.ventura-dance.com/works/2047

Bdquo;Our cabin attendants are superbly designed. But there's only one problem: they might want to laugh, but the smile would be slow to come. They might want to cry, but the tear wouldn't well up till the next day.“. Mr Wang in Wong Kar Wai's „2046“. The theme of a train journey is echoed onstage as a continuously flowing development, expressed through the dance and audiovisual impressions. "2047" develops continuously, slowly and constantly as it tells a story, in "2047", the story of a train journ...

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Ventura Dance Company

https://www.ventura-dance.com/works/dancescapes

Ldquo;That we can perceive rhythmical structures in nature, in a painting, in house fronts, in a poem, so that we can grasp and experience with our senses its own forms. has given us an invaluable enrichment of our faculties to experience”. Bdquo;Dancescapes“ entails the live interaction and manipulation by dancers of audio-visual media. The dance performance is embedded in an Installation setting consisting of video projections of landscapes, video graphics and the live manipulation of sounds. Ldquo;A f...

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Ventura Dance Company

https://www.ventura-dance.com/works/deus-ex-machina

Ldquo;The visible world is no longer a reality and the unseen world is no longer a dream“. In Greek theater, actors representing gods were suspended above the stage, the denouement of the play being brought about by their intervention. Deus ex Machina is the result of our first steps at using a computer software for dance. Life Forms 2.1). To create a choreography, and it developed into a comparison between live dancers and a virtual representation of a human body. N front of the screen. Dance and Media ...

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Ventura Dance Company

https://www.ventura-dance.com/works/de-humani

A new body would rise, phoenix-like, from the flames of the digital and the ashes of the real". Dance-Media Performance for Six Dancers. Artistic Direction and Choreography. Jan Peter E.R. Sonntag. Michael Renkel / Gato Leiras. Premiere: ewz-Unterwek Selnau, Zurich, Switzerland. 31st October 2002. First dance-media performance for 6 Dancers of the dance trilogy "De Humani Corporis Fabrica". In this journey the quality of the movements interpreted by dancers undergo a subtle development throughout the thr...

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Ventura Dance Company

https://www.ventura-dance.com/works

ventura-dance.com

Ventura Dance Company

https://www.ventura-dance.com/works/fabrica

Ldquo;The machined, or the evolved phase of artefacts, which attempts to imitate and behave as organisms by linking, coupling, morphing, merging and cross-fertilisations. the establishment of a rich ensemble of relations; networks, connections, breaks and unexpected links”. A Thousand Plateaus. Deleuze / Guatari. FABRICA / Cluster III. Third dance-media performance of the trilogy "De Humani Corporis Fabrica" for five dancers and an epilogue for a Robot. Artistic Direction and Choreography. We have staged...